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I Want You di Marvin Gaye: una rigogliosa foresta di simboli jazzistici.
by Maurizio Zerbo
L' approccio multidisciplinare della scuola storiografica Les Annales offre interessanti spunti di riflessione anche per lo studio della popular music, attraverso un'analisi incrociata di fonti musicali, etnologiche, iconografiche, letterarie, fotografiche e cinematografiche. Grazie al visionario quadro The Sugar Shack del pittore statunitense Ernie Barnes, la copertina di I Want You è una rigogliosa foresta ...
Take Five with Enayet Hossain
by AAJ Staff
Meet Enayet Hossain Enayet Hossain is an accomplished tabla player from a renowned Indian musical family whose careers span three generations. Born in Bangladesh to an Indian father and Bangladeshi mother, he moved to the U.S. as a child. He received musical training from his father, Hamid Hossain, an esteemed Indian musician renowned for teaching and ...
Charlie Apicella and Iron City Meet the Griots Speak: Destiny Calling
by Troy Dostert
Since the early 2000s, guitarist Charlie Apicella's Iron City trio has devoted itself to maintaining the tradition of soulful, organ-based jazz. The aptly-titled Groove Machine (OA2 Records, 2019) preceded Destiny Calling, the group's 2023 album. And the latest one is quite a change-up. For this outing, Apicella has teamed up with The Griots Speak, an all-star ...
'Listen To This' Exploring The Early Electric Period Of Miles Davis
For the past year, improvising keyboardist Dave Bryant, curator and host of the “Third Thursdays" series of monthly harmolodic jazz concerts, has also been involved with the “Listen To This" musical project, which explores the rich musical legacy of Miles Davis, particularly from his early electric period 1968-1975. The project includes founder Jerome Deupree of Morphine ...
Denny Zeitlin: Crazy Rhythm: Exploring George Gershwin
by Dan McClenaghan
Denny Zeitlin's jazz career began when he sat in as the featured pianist on flutist Jeremy Steig's Flute Fever (Columbia Records, 1964). He followed this up with his debut as a leader on Columbia Records' 1964 album Cathexis. While maintaining another successful career as a psychiatrist and college professor, he released more than a dozen albums ...
Purple Jazz: A Tribute to Prince, Part 2
by Ludovico Granvassu
This week we look into both the jazz side of Prince, including the unexpressed potentials of his collaboration with Miles Davis, and covers of his music by notable jazz players, from Nina Simone to Joshua Redman. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Nina ...
The Van Gelder Sound: A Legacy of Jazz Recordings
by Brian Eaton
Rudy Van Gelder (a.k.a. RVG) was one of the most influential recording engineers in jazz. Largely self-taught, he was a true industry pioneer as one of the first well-known examples of an engineer operating a home recording studio and even constructing his own custom-built audio mixer in the early years. As an innovator and perfectionist, he ...
George Russell Remembered
by Duncan Heining
How is it that one of the most significant figures in modern jazz is so often overlooked when histories of the music are written? And how come one of its most important composers is not immediately acknowledged when jazz is discussed? Therein hang a number of tangled tales. The centenary of composer, musician, bandleader, ...
Various Artists: Hip Holland Hip
by Chris May
This carefully curated disc is subtitled Modern Jazz Classics 1950-1970 and is a collection of tracks recorded by Dutch musicians and released in the Netherlands mostly in the late 1950s and early 1960s. Few of the musicians other than a sprinkling of American guest artists such as Herbie Mann and Art Farmer will ...
Where Clifford Brown Learned to Play: Love In A Wilmington Neighborhood
by Arthur R George
Part 1 | Part 2 Robert “Boysie" Lowery was trumpeter Clifford Brown's first music instructor in the early 1940s, and mentored decades of young musicians thereafter in Wilmington, Delaware. He taught as a sideline to club work, a resource for his community but caring not so much about being paid for his lessons. That ...
