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Catching Up With e.s.t.'s Dan Berglund and Magnus Ostrom
by Renato Wardle
The tragic death of pianist Esbjörn Svensson in the summer of 2008 brought to a close the 12-year run of one of the most prolific and brilliant piano trios in recent years. The enigmatically hypnotic tapestries that the Esbjörn Svensson Trio (which came to be known as e.s.t.) wove simultaneously eschewed and venerated the jazz tradition. ...
Freihofer's Saratoga Jazz Festival Celebrates Landmark 35th Anniversary
Headliners Include Diana Krall, Chris Botti, Trombone Shorty, Esperanza Spalding, Yellowjackets, Maceo Parker, and more! Saturday, June 30, and Sunday, July 1 SARATOGA SPRINGS, NY: The Freihofer's Saratoga Jazz Festiva will celebrate its landmark 35th Anniversary at Saratoga Performing Arts Center, June 30 and July 1, with a dynamic lineup of more than 20 acclaimed artists ...
Curtis Fuller: Down Home
by Florence Wetzel
The jazz world of the fifties and sixties was undeniably a golden age, and legendary trombonist Curtis Fuller was one of the era's key voices. Throughout his sixty-year career, Fuller has worked with some of jazz's foundational players: he appears on saxophonist John Coltrane's Blue Train (Blue Note, 1957), he was part of drummer Art Blakey's ...
Taylor's Universe: Kind of Red
by Dave Wayne
Danish multi-instrumentalist Robin Taylor is something of a musical polymath who's recorded extensively in a number of disparate musical arenas, including free improvisation (with his group Taylor's Free Universe), hard rock (with Art Cinema), electronic soundscapes, and jazz-rock fusion. With Kind of Red, Taylor's stylistic focus is firmly in the general area of instrumental progressive rock.
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Don Alias and Jaco Pastorious
by Melanie Futorian
[Author's Note: This marks the last article in the four-part series for Cymbalism, a tribute to the great percussionist and my companion, Don Alias. Please look for the forthcoming photo book on Amazon.com, Don Alias: The Moments We Spent. As well, keep an eye out for my upcoming for All About Jazz interviews with David Sanborn, ...
Eat Worms Or Be Loved
by Bruce Lindsay
The first JazzLife UK article of 2012 has been some time coming: my apologies to anyone who noticed. By way of recompense this edition moves beyond the narrow confines of the British Isles to discuss an international Jazz Quandary: if jazz has gone so horribly wrong, how can we fix it? It's a big ...
Jazz Soul Seven: Impressions Of Curtis Mayfield
by Dan Bilawsky
Curtis Mayfield's music has always possessed a certain cachet in soul, funk, R&B, pop and rock circles, but it never fully took hold in jazz until now. Pianist Herbie Hancock had some fun with Mayfield's “Future Shock" on the decades-old album of the same name (Columbia 1983), while other jazz musicians may have occasionally taken a ...
Ahmad Jamal Headlines Kuala Lumpur International Jazz Festival, May 19-20
The great, cosmopolitan city of Kuala Lumpur will swell the list of international capital cities holding jazz festivals when the inaugural KL International Jazz Festival kicks off on the weekend of the 19-20 May. Six hours of jazz each day will offer some of the very best in international and local talent. Legendary pianist Ahmad Jamal ...
International Jazz Day Album Guide
Steve Holtje, editor of MusicHound Jazz: The Essential Album Guide (Visible Ink), has written a 50-album guide covering the development from jazz, ranging from Louis Armstrong to Matthew Shipp, for CultureCatch.com. He writes: “Monday, April 30, is International Jazz Day, proclaimed by UNESCO goodwill ambassador Herbie Hancock. There will be streaming concerts and much more on ...
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