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I Am Not Your Negro: History Revisited through a Personal Lens
by Victor L. Schermer
I Am Not Your Negro Narrator: Samuel L. Jackson Director: Raoul Peck Distributor: Velvet Films This electrifying docu-drama invoking the eloquent words and profound personal experience of the great writer James Baldwin brings to life the stormy and transformational period of the Civil Rights movement in a ...
Rolling in Rhythm: Philly Joe Jones and Charles Wilcoxon
by Dustin Mallory
Drummer Philly" Joe Jones is known as one of the most recorded drummers in jazz history, appearing on more than 200 albums. His legacy as a studio drummer appears on seminal classics like John Coltrane's Blue Train, Thelonious Monk's Blues at the Five Spot, Miles Davis's Milestones, and Bud Powell's Time Waits. Beside these recordings, Jones ...
Harriet Tubman and Wadada Leo Smith: Araminta
by Mark Corroto
Things are urgent now. Actually, they have been critical for some time, but you might have chosen to ignore them. Politics, racism, sexism, war, inequality, and xenophobia are now issues that you must confront at home, work, in social media, and even within your bowling league. Everyone must have an opinion, and maybe that is the ...
Laura Jurd: Big Footprints
by Ian Patterson
Every few years a band appears that injects a welcome shot of adrenaline into the jazz mainstream, exciting media, promoters and fans alike--the Neil Cowley Trio, Phronesis, GoGo Penguin and Snarky Puppy all spring to mind. Dinosaur, an English quartet led by trumpeter Laura Jurd, is being widely tipped to create such waves on the strength ...
Dinosaur: Together, As One
by Ian Patterson
The debut album of the newly baptized Dinosaur--but the second album of the group formerly known as the Laura Jurd Quartet, following Landing Ground (Chaos Collective, 2012)--sees composer Jurd inspired by Miles Davis's late 1960s/early 1970s electric period. Though Jurd's trumpet, Elliot Galvin's Fender Rhodes/Hammond soundscapes and the persistent grooves plied by Conor Chaplin and Corrie ...
Bill Evans on meeting Miles
by Nenette Evans
Excerpt from Nenette Evans's untitled reflections of Bill Evans, October 3, 2012.Miles Davis said: Bill left the band in 1958 and went down to Louisiana to live with his brother. Then he came back after a while and formed his own group. After a while he got Scott LaFaro on bass and Paul Motian ...
Weather Report: Heavy Weather
by Sacha O'Grady
Weather Report were one of the earliest jazz fusion groups to emerge at the beginning of the '70s. They were rare in that, like Herbie Hancock's Headhunters, they didn't have a guitarist to light the fire and excite the audience as was the case with Mahavishnu Orchestra and Return to Forever; instead, they relied, in addition ...
Monty Alexander: Looking Back
by Peter Jurew
Monty AlexanderJazz Standard New York, NYFebruary 1, 2017 A lot has changed since I started covering the New York beat for All About Jazz in mid-2016. In that time, we have witnessed epic changes in our city, our country, our world--changes that are already affecting our culture, including and perhaps ...
The Best of Lou Donaldson, Volume 1 – 1957-1967
by Marc Davis
I'm not a huge fan of Best Of albums. Artists make albums of music--some with themes, some without--and you go with it. One album generally equals one mood, so why mix them up? But then... Lou Donaldson is an alto saxophonist who spent virtually his entire career at one label: Blue Note. ...
Grammy Winners 2017 - Jazz List
And the winners of the 59th Annual Grammy Awards are... JAZZ Best Contemporary Instrumental Album: Culcha Vulcha Snarky Puppy (Ground Up Music) Human Nature — Herb Alpert (Herb Alpert Presents) When You Wish Upon A Star — Bill Frisell (Okeh Records) Way Back Home: Live From Rochester, NY— Steve Gadd ...


