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Guitarist Joe Morris Joins Forces With Keyboardist Jamie Saft & Drummer Mike Pride On Microtonal Blues Project Raoul
The sound of Joe Morris’ electric guitar, with distortion pedal set on stun and wah-wah pedal fully engaged, colliding with Jamie Saft’s droning, microtonal organ and Mike Pride’s thunderous free drumming approach to the kit creates a mind-numbing maelstrom on The Spanish Donkey's RAOUL, the improvising trio’s debut on RareNoiseRecords. A follow-up to XYX, their 2011 ...
Seth Meicht and the Big Sound Ensemble: Live in Philadelphia
by John Sharpe
Philly tenor saxophonist Seth Meicht has created a crack little big band which combines nifty arrangements and adventurous expression in his Big Sound Ensemble. Meicht has largely passed under the critical radar since Illumine (CIMP, 2006), surfacing only for the occasional high profile gig in NYC, including the 2009 Vision Festival. This recording in front of ...
Yoni Kretzmer: This Is Our Very First Album Together
by Glenn Astarita
Distinguished Israeli improvising, avant-jazz saxophonist Yoni Kretzmer has several albums to his credit with fellow countrymen and American notables, such as drummers Mike Pride, Andrew Drury and bassist Jason Ajemian. Since he's recently moved to Brooklyn, N.Y., the artist ingratiates his faculties into the region's intensely fertile improvising scene, where almost anything goes when the studio ...
Jonathan Moritz Trio: Secret Tempo
by Vincenzo Roggero
Libera improvvisazione che sgretola i fondamenti strutturali del jazz, l'amore per la musica classica e per i lavori orchestrali di Webern, il canto degli uccelli, il suono possente di Ben Webster. Sono questi gli elementi che ispirano Secret Tempo, album per Hot Cup licenziato dal Jonathan Moritz Trio. Ed è una vera gioia ...
RareNoise To Release Plymouth in April
Following on the heels of their successful collaboration on 2013's Slobber Pup, one of the most intensely throbbing releases in the RareNoise catalog, keyboardist Jamie Saft and guitarist Joe Morris have reunited for another potent and provocative offering in Plymouth. Joining them on the three expansive pieces that comprise this purely improvised set are the indelible ...
Jon Irabagon: It Takes All Kinds
by Eyal Hareuveni
It Takes All Kinds is the third recorded collaboration between prolific tenor saxophonist Jon Irabagon and a great drummer, Barry Altschul. The first, Irabagon's Foxy (Hot cup, 2010) featured double bassist Peter Brendler. The second, Altschul's The 3dom Factor (TUM, 2013) featured double bass player Joe Fonda. The most recent one features Altschul's longtime rhythm teammate, ...
Lisa Mezzacappa Trio: X Marks The Question
by Glenn Astarita
X Marks The Question is one of two concurrent September 2013 releases on separate record labels by burgeoning San Francisco Bay Area-based, bassist composer Lisa Mezzacappa. On Comeuppance (Not Two Records, 2013) she fronts a quartet featuring saxophonist Aaron Bennett but here, spearheads a power-packed progressive jazz trio, highlighting lead soloist, guitarist Chris Welcome. And as ...
Peter Kerlin Octet: Salamander
by Glenn Astarita
With an unconventional group setting, initial impressions might suggest chamber-jazz of some flavor, but Brooklyn bassist Peter Kerlin's debut effort as a leader is framed on several tangents of classical and jazz. And the young musicians impart aspirations and ingenuity, often intimating the outcomes of a thirst for knowledge and unhindered commitment. Here, the band abides ...
Jonathan Moritz Trio: Secret Tempo
by Mark Corroto
Great chefs can make a delicious meal out of just a handful of ingredients. So can great musicians. A simple omelet prepared from happy free range chicken eggs, plus some freshly plucked basil can set the palate reeling. For a jazz chef like saxophonist Jonathan Moritz, his simple fresh ingredients includes a trim ensemble of bassist ...
Ensemble musikFabrik, Etienne Charles, Pulverize The Sound & Ahmed Abdullah's Diaspora
by Martin Longley
Ensemble musikFabrik Avery Fisher Hall July 20, 2013 Karlheinz Stockhausen and Sun Ra must surely vie for the stellar position of most cosmically attuned composer within the bounds of the omniverse. Stockhausen's Licht is arguably his major work, at least in terms of sheer scale. It's a seven-day-long operatic ...
