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Looking for the Next One
By Mike Osborne
Label: Cuneiform Records
Released: 2013
Track listing:
CD 1 (Studio 1974-1975):
1. News 02:53; 2. Rashied 08:53; 3. Looking for the Next One 14:22; 4. Country Dance 07:43; 5. Q.E. Hall 14:17; 6. The Mountain Road 04:47.
CD 2 (live, 1974):
7. Introduction 01:06; 8. Suite 25:18; 9. Trio Trio 23:28; 10. Up There 15:11; 11. Legends 02:13.
S.O.S.: Looking for the Next One
by AAJ Italy Staff
Santa Cuneiform! La preziosissima piccola etichetta americana, da tempo molto attenta anche al recupero dei più sottostimati patrimoni musicali degli anni passati, impreziosisce il proprio catalogo e le orecchie degli ascoltatori con un piccolo baule di meraviglie - curato dal grande nome di Michael King. Stiamo parlando di Looking for the Next One, vale a dire ...
S.O.S.: Looking for the Next One
by John Kelman
With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...
S.O.S./: Looking for the Next One
by Glenn Astarita
Complete with an in-depth 16-page booklet--including photos and a storyboard of the core trio's existence, S.O.S features three protagonists of the '70s British progressive- jazz movement and beyond. The band formed in 1973 and lasted through 1976 with one self- titled album for the Ogun record label in 1975. Looking for the Next One, is a ...
The Birmingham Jazz Concert
By Mike Osborne
Label:
Released: 2012
Track listing:
CD 1:
01. Ossie's Opener (Osborne) - 7:20; 02. More Mike (Osborne) - 9:10; 03. Cousin Mary (Coltrane) - 5:11; 04. Awakening Spirit (Miller) - 3:42;
05. Alfie (Rollins) - 5:31; 06. Journey's End/All Night Long (Osborne) - 6:37; 07. Almost Home Kathy (Osborne) - 8:36.
CD 2:
01. Nutty (Monk) - 11:56; 02. One for George (Osborne) - 12:37; 03. Ken's Tune (Osborne) - 7:53; 04. Awakening Spirit (Miller) - 10:26; 05. Don't Stop the
Carnival (trad.arr. Osborne/Miller/Levin); 06. Untitled Improvisation (Osborne/Miller/Levin).
The Fire, Regardless
by Nic Jones
If considered together a couple of recent archival releases (The 100 Club Concert 1979 (Reel Recordings, 2012), by saxophonist Elton Dean's Ninesense and Mike Osborne Trio The Birmingham Concert (Cadillac, 2012), by the Mike Osborne Trio) and one reissue (Wilderness of Glass ((Awake, 2012), by Triton) remind us of how creative improvised music happens, regardless of ...
Mike Osborne Trio: The Birmingham Jazz Concert
by AAJ Italy Staff
L'altosassofonista inglese Mike Osborne è stato uno degli interpreti principali di quella irripetibile stagione che ha visto crescere e svilupparsi il jazz inglese tra gli anni '60 e '70, in compagnia di tanti altri musicisti, molti dei quali ancora oggi calcano le scene con successo, come John Surman, Kenny Wheeler, John Taylor e Mike Westbrook, tanto ...
Cuneiform Records: Growing Progressive Music for 27 Years
by Mark Redlefsen
Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...
Mike Westbrook: Art Wolf at 75
by Duncan Heining
Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
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