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Joel Harrison &. Anthony Pirog: The Great Mirage
by Mike Jurkovic
The gritty, jammy sonics of the leadoff title track quickly convince the listener that avant guitarists Joel Harrison and Anthony Pirog are hellbent on getting it all out of their systems on The Great Mirage. Bassist Stephan Crump, who lays down his acoustic bass and goes electric, and daredevil drummer Allison Miller, who has ...
Christian McBride's New Jawn: Prime
by Mike Jurkovic
"Head Bedlam," crashes from the gate with a gale force which instantly gives away the plot of Prime. Put simply, the sophomore release from maverick bassist Christian McBride's New Jawn (Philadelphia slang for something not yet named or created) is a free-form steeplechase. Crying, screeching, testifying, New Jawn trumpeter Josh Evans and saxophonist & bass clarinetist Marcus Strickland ...
East Axis: No Subject
by Mike Jurkovic
As multi-reedist Scott Robinson, (Maria Schneider, Roscoe Mitchell) takes the horn chair from Allen Lowe, all is delivered and then some on No Subject, the second, reason-defying release from chameleonic improvisers pianist Matthew Shipp, bassist Kevin Ray, and drummer Gerald Cleaver. Turning to shorter forms and themes than the three lengthy group-thinks which determined 2021's restless ...
Mike LeDonne: The Heavy Hitters
by Mike Jurkovic
Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In ...
Art Ensemble of Chicago: The Sixth Decade: From Paris to Paris
by Mike Jurkovic
Recorded live in Paris in February 2020, The Sixth Decade: From Paris to Paris. presents Art Ensemble Of Chicago—as defiantly daring avant-garde as that first night in Paris, 1969 —giving no quarter whatsoever in their lifelong, diasporic pursuit of creation unbound. Breaking at the pace of a dream, surviving co-founders saxophonist Roscoe Mitchell and ...
Bob Dylan: Fragments - Time Out of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17
by Mike Jurkovic
Dylanologists of every stripe and level of Dylanalia had it partly right when Bob Dylan released Time Out Of Mind (Columbia) in mid-September 1997. “Great album!" They/we/us all screamed. “Great songs!" “Dylan's best since the totemic Blood On the Tracks!" (Columbia, 1975) “Mid-career masterwork!" “The Bard's New Relevance!" If you weren't there the first time it ...
Dave Liebman: Dave Liebman: Live at Smalls
by Mike Jurkovic
A brief, charged commencement by Dave Liebman and trumpeter Peter Evans (Mostly Other People Do the Killing, Mary Halvorson) launches Dave Liebman: Live at Smalls and from there the nocturne reaches out like a rhizome—laterally, vertically, horizontally—thriving into your consciousness, taking root, expanding . . . Free jazz is and will always be a ...
Derrick Gardner & The Jazz Prophets: Pan Africa
by Mike Jurkovic
A big man with a big plan and a boisterous sextet at his back, trumpeter Derrick Gardner and his razor-fine Jazz Prophets unapologetically and unflinchingly blow the walls down with Pan Africa. Hyperbole? Not really. Just let Gardner and company free on Jackie McLean's hopscotching “Appointment In Ghana" (from Jackie's Bag, his first for ...
Kenny Barron: The Source
by Mike Jurkovic
He may admit to jitters whenever he first sits down at his chosen instrument to record or perform, but elder statesman and NEA Master Kenny Barron never fails to elicit a warm, enveloping sense of elegy, wit and emotional balance to whatever setting the music finds him. On his first solo go-round in forty ...
Brad Mehldau: Your Mother Should Know: Brad Mehldau Plays The Beatles
by Mike Jurkovic
In the press release and liner notes, Brad Mehldau, a spiritual man who delves deeply into subjects that matter to him, talks a lot about the Fab Four's continued universality and to the strangeness of their originality and our assimilation of it. But he never really gets to the point as clearly, personally and succinctly as ...
