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Eddie Henderson: Witness To History
by Mike Jurkovic
Make no mistake: it is the hot buttered soul, “Shaft"-like theme of “Scorpio Rising" that first snags one's attention. But once snagged, the old cool sets in and Witness To History, trumpeter Eddie Henderson's self curated soundtrack, unwinds with a wicked fervor. A deep, wicked joy. Henderson--who has pretty much seen it all from ...
Moppa Elliott's Acceleration Due To Gravity: Jonesville
by Mike Jurkovic
Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but ...
Vijay Iyer: Compassion
by Mike Jurkovic
As the title track of Compassion gets conjured up on a rubato tumble of Tyshawn Sorey's cymbals, bassist Linda May Han Oh begins her work which--on all of Compassion--is herculean. Vijay Iyer ushers in, and a quiet thing of beauty gets underway. It is one of the album's monster tracks. And eleven more tracks follow.
Matthieu Bordenave: The Blue Land
by Mike Jurkovic
Getting across the great open land beneath big sky country is full of epic moments. The Blue Land, French saxophonist Matthieu Bordenave's second for ECM, is that migrant's diary. As he so skillfully rendered on his 2020 ECM debut La Traversée, Bordenave again enters the studio conjoined with the assertive mood swings of bassist ...
Francisco Mela & Zoh Amba: Causa y Efecto, Vol. 2
by Mike Jurkovic
Causa y Efecto, Vol. 2 avalanches into a tidal surge of Francisco Mela's terrestrial rhythms and saxophonist/flautist Zoh Amba's unhinged, Albert Ayler like howls. Explosive from the onset and unencumbered by composition, “Causa y Efecto" roils without contrition; setting the stage for the firestorm to come. Mela's incantations--both verbal and percussive--open the magic door through ...
اسم [ism]: Maua
by Mike Jurkovic
Where would the world be without the clang and the clamor of sensory heightened free-jazz blowing purposeful and wild throughout the realm and surrounding tenements? This is an unsung understanding understood by fellow wayfarers, handed down by the elders and experienced by all who listen. Pianist Pat Thomas understands all this and reassures you ...
Micah Thomas: Reveal
by Mike Jurkovic
A drop mic, double plus good treatise by three very ballsy players--pianist Micah Thomas, bassist Dean Torrey, and drummer Kayvon Gordon--Reveal wastes no time stating its case, taking centerstage, and holding that promised land's glories tight. Recorded in one seven-hour session, Thomas's second far-flung outing as a Blue Note leader and his third overall (the self-produced ...
Kinga Glyk: Real Life
by Mike Jurkovic
Throughout daredevil bassist Kinga Głyk's Real Life there are several moments which border menacingly on mainstream Euro-pop and wanna-be fusion. Fortunately those (intentional or unintentional?) moments are heavily outweighed and outnumbered by thrillingly incandescent moments which lend themselves to that old catch-all street phrase of the '60s, '70s, and '80s: “Man this is some really high ...
Playfield: Magic Heart
by Mike Jurkovic
Daniel Carter, who--if not the epitome of free consciousness then is very well within the immediate vicinity of striking range--gives props to electric Miles Davis and The Beatles' psychedelica with mischief and madness on the hell bent and heaven sent Magic Heart. Their second entrance into the Carter's life long discography, Playfield is a ...
Sullivan Fortner: Solo Game
by Mike Jurkovic
Mentored by Fred Hersch and Jason Moran, and produced by Hersch, Solo Game puts pianist Sullivan Fortner in a really good place. That is before the music even starts. Then it does start with a sly and subdued solo on Stevie Wonder's buoyant 1973 top tenner, “Don't You Worry 'bout a Thing," while dropping subtle hints ...
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