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Wadada Leo Smith - Amina Claudine Myers: Central Park's Mosaics of Reservoir, Lake, Paths and Gardens
by Mike Jurkovic
Sacred music for what many consider a very sacred place, Central Park's Mosaics of Reservoir, Lake, Paths, and Gardens unites two natural forces- -the trumpeted truth of Wadada Leo Smith and the open air church of pianist & organist Amina Claudine Myers--for their first collaboration since their early years as active members of the Association for ...
Steph Richards: Power Vibe
by Mike Jurkovic
Fire music. Free jazz. Third stream. Fourth stream. Avant improv, noise chamber blues, and whatever the meta and hashtags say it is, this sextet of loose cannons knows better and holds all the cards. Imagine for a moment what the reaction might be if your facial muscles suddenly, involuntarily, started to freeze, leaving you ...
Cannonball Adderley: Poppin In Paris: Live At L'Olympia 1972
by Mike Jurkovic
In his most natural setting--onstage alongside brother Nat Adderley--and accompanied by pianist George Duke, bassist Walter Booker and the trusty Roy McCurdy on drums, Cannonball Adderley pops and bops to all heart's content on Poppin' In Paris: Live at the Olympia 1972 . Appearing as part of the Paris Jazz Festival, the band holds ...
Cannonball Adderly: Burnin’ in Bordeaux: Live in France 1969
by Mike Jurkovic
Intent on burning down the house, Burnin' in Bordeaux: Live in France 1969 finds Cannonball Adderley gleefully passing out the matches. Captured very, very, very live at the Bordeaux Jazz Festival in March 1969, Adderley and his fired up co-arsonists--pianist Joe Zawinul, cornetist Nat Adderley, Jr., bassist Victor Gaskin, and drummer Roy McCurdy--go scorched earth from the ...
Alice Coltrane: The Carnegie Hall Concert
by Mike Jurkovic
The most perfect of time machines, with no errant destinations and no abrupt landings, The Carnegie Hall Concert transports one to a time when artists took their art seriously, when it was sacrosanct. Alice Coltrane's harp comes on like the siren lure of angels, like a missionary, calling all to stop their labor. It seems to ...
Fred Hersch: Silent, Listening
by Mike Jurkovic
Like many of Fred Hersch's haunted, focused recordings--2017's Grammy nominated Open Book(Palmetto Records), Solo (Palmetto Records, 2015) or In Amsterdam: Live at the Bimhuis (Palmetto Records, 2006)--the short story of Silent, Listening, Hirsch's first solo foray for ECM, is this: Stay for the rich, orchestral novel and the full reward is yours. On his ...
Ivo Perelman / Mark Hellias / Tom Rainey Truth Seeker: Truth Seeker
by Mike Jurkovic
Saxophonist Ivo Perelman has a very deep understanding of time and space. He knows deep down these things, these oddly elusive concepts that bind us to the irreparable now, are truly meant to serve as agents of creation, of freedom. Of the freedom to create without corruption. He also senses on the most granular level that ...
Bob Dylan: The Bootleg Series Volume 21: To Be Likened Later, Spring 65: The Forgotten Gil Evans Sessions
by Mike Jurkovic
Veteran producer Tom Wilson was never a man known to shun aside inspiration. Prior to finding himself at the eye of the Bob Dylan hurricane, Wilson had not only founded Transition Records, but gave the world Sun Ra's unruly, post-bop big band debut Jazz by Sun Ra (Transition, 1957), Cecil Taylor's defiant and quixotic Jazz Advance ...
Melissa Aldana: Echoes Of The Inner Prophet
by Mike Jurkovic
Grammy-nominated saxophonist Melissa Aldana was all of maybe 21 going on 22 in 2010 when her Inner Circle Records arrival, Free Fall, caught many a discerning ear with its surprisingly earthy and assured lines and tangents. Her first for Blue Note, 2022's 12 Stars, displayed much the same but with a more resolute, restorative, established tone. ...
Rachel Z: Sensual
by Mike Jurkovic
Whatever her impetus--be it the loss of her parents or peans to a shared sense of hearth, home and heaven--pianist/composer Rachel Z's thirteenth full length album, Sensual, bares a sincere, hopeful humanity. Buoyed by a sense of survival, Sensual opens as if it were a letter, closing with the Foo Fighters' crotch-kick raise-the-roof-'n-rile-'em-up “These ...
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