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The Oscar Peterson Trio: Con Alma: The Oscar Peterson Trio Live in Lugano, 1964
by Mike Jurkovic
Was there ever a more generous player than Oscar Peterson? A man who, by simply doing the thing he most loved and thrilled to do, which was make people feel better way down deep in their bones, sat at his piano and made the world grateful? Rekindled that spark--of imagination, of potential, of better--just by running ...
Lafayette Gilchrist: Undaunted
by Mike Jurkovic
Barn-burning, barrel-housing pianist Lafayette Gilchrist may or may not be known by everyone pretending to be hip and attuned or even by the rather rarefied company he has been known to keep--David Murray, Cassandra Wilson, Andrew Cyrille--but Undaunted is going to get him some much deserved attention. Abundant with cajones and plenty of rhythm, ...
Daniel Carter: Open Question, Vol. 2
by Mike Jurkovic
If the title warning Open Question, Vol. 2 fails to alert one to what one was about to get into while listening to the unhinged, yet oddly disciplined and methodic rhubarb created off-the-cuff by radical downtown saxophone legend Daniel Carter, equally rebellious tenor Ayumi Ishito, pianist Eric Plaks}, bassist {{m: Zach Swanson and drummer Jon Panikkar, ...
Tina Raymond: Divinations
by Mike Jurkovic
Drummer Tina Raymond possesses a buoyant momentum and contemporary polyrhythmic sense of swing which has a listener skidding along one moment and bopping down the next. She owns a rock 'n roll snap in her wrists which keeps the energy high-spirited all the way. Raymond, whose wanderlust CV includes her first album as a ...
Danielle Friedman: Weary Gold
by Mike Jurkovic
Even the most casual listen to Weary Gold, Israeli born pianist Danielle Friedman's sophomore offering, might not convince said casual listener that this was only Friedman's second outing. It is too accomplished and sure. And a solo outing to boot. There are host of synchronized moving parts in Friedman's sense of musical calisthenics, composition, ...
Daniel Carter, Adriana Camacho, Federico Ughi: Trabajadores De Energi
by Mike Jurkovic
An open conversationalist, active participant, and scion of creativity, forward thinking saxophonist Daniel Carter aims higher than his usual lofty visions on Trabajadores De Energi, easily the umpteenth release of '23 that bears his anachronistic brand. This free set, recorded in Rome after Carter, cosmic bassist Adriana Camacho, and longtime Carter partner in anarchy, ...
Veronica Swift: Breaking It Up, Making It New
by Mike Jurkovic
Easily on track to become the “Streisand-in-the-mosh-pit" of her restless generation, singer and urban changeling Veronica Swift likes to shake things up and keep things moving. Especially her music. Especially on an album that bears her name. Veronica Swift, her latest. “I want to inspire people to fight against the forces that curb our ...
Emmet Cohen: Master Legacy Series Volume 5 Featuring Houston Person
by Mike Jurkovic
From its languid beginning, saxophonist Houston Person's own warmly engaging “Why Not?," to its closing, Etta James' slinky seduction “Sunday Kind of Love," Emmet Cohen's Master Legacy Series Vol. 5 Featuring Houston Person is a decidedly laid-back affair, unlike much of its predecessors which featured Jimmy Cobb, Ron Carter, George Coleman, Benny Golson and Albert “Tootie" ...
Omri Mor / Yosef-Gutman Levitt: Melodies of Light
by Mike Jurkovic
It is quite rare in a culture and society driven by autocrats, hits, likes, blogs and podcasts, that recordings as ethereal, yet born of the ageless earth, as Melodies of Light come around to release us from the daily ugly. Spontaneous music of this hypnotic, mysterious beauty and elusive grace give us pause to ...
Gonzalo Rubalcaba: Borrowed Roses
by Mike Jurkovic
While many men and women approach their sixtieth birthday with visions of retirement, pianist and iconoclast Gonzalo Rubalcaba, with his perceptive ear for folk dance and dense improvisation, moves as far as possible from the idea of retirement and attains another peak of perfection on Borrowed Roses. Unlike his previous head-turning, stylistic solo recordings--the ...
