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اسم [ism]: Maua
by Mike Jurkovic
Where would the world be without the clang and the clamor of sensory heightened free-jazz blowing purposeful and wild throughout the realm and surrounding tenements? This is an unsung understanding understood by fellow wayfarers, handed down by the elders and experienced by all who listen. Pianist Pat Thomas understands all this and reassures you ...
Micah Thomas: Reveal
by Mike Jurkovic
A drop mic, double plus good treatise by three very ballsy players--pianist Micah Thomas, bassist Dean Torrey, and drummer Kayvon Gordon--Reveal wastes no time stating its case, taking centerstage, and holding that promised land's glories tight. Recorded in one seven-hour session, Thomas's second far-flung outing as a Blue Note leader and his third overall (the self-produced ...
Kinga Glyk: Real Life
by Mike Jurkovic
Throughout daredevil bassist Kinga Głyk's Real Life there are several moments which border menacingly on mainstream Euro-pop and wanna-be fusion. Fortunately those (intentional or unintentional?) moments are heavily outweighed and outnumbered by thrillingly incandescent moments which lend themselves to that old catch-all street phrase of the '60s, '70s, and '80s: “Man this is some really high ...
Playfield: Magic Heart
by Mike Jurkovic
Daniel Carter, who--if not the epitome of free consciousness then is very well within the immediate vicinity of striking range--gives props to electric Miles Davis and The Beatles' psychedelica with mischief and madness on the hell bent and heaven sent Magic Heart. Their second entrance into the Carter's life long discography, Playfield is a ...
Sullivan Fortner: Solo Game
by Mike Jurkovic
Mentored by Fred Hersch and Jason Moran, and produced by Hersch, Solo Game puts pianist Sullivan Fortner in a really good place. That is before the music even starts. Then it does start with a sly and subdued solo on Stevie Wonder's buoyant 1973 top tenner, “Don't You Worry 'bout a Thing," while dropping subtle hints ...
Ethan Iverson: Technically Acceptable
by Mike Jurkovic
The funhouse genius of pianist Ethan Iverson hits full nor'easter with Technically Accepted, an album so loaded with invention and cool it rises instantly to the pack of hands-down favorites for the still unformed year of 2024. Unbounded, Iverson's many quirks and instigations hurl madly around the house, the studio, the bodega down the ...
Mary Halvorson: Cloudward
by Mike Jurkovic
Guitarist, composer & raconteur Mary Halvorson could very comfortably (and rightfully) wear the sobriquet of “The Charles Mingus of Guitar" if she wanted to. But even that open-ended comparison would limit her as she outdoes herself again on Cloudward. Though it must surely be getting harder to top herself given the string of releases--the ...
Eric Dolphy
by Mike Jurkovic
Eric Dolphy Guillaume Belhomme 112 Pages ISBN: # 3955931463 Wolke Verlag 2023 Considering the indelible marks he has left on the music in his short time with us, the trailblazing recordings both as a leader and sideman to John Coltrane and Charles Mingus; the conceptual application of harmonic ...
Mayra Domine / Rodrigo Gonzalez: Almas Inquietas
by Mike Jurkovic
Maybe it is the new math curriculum, but there are a lot of freely discussed equations and logistics bandied about within the music of Almas Inquietas, a piano/drums music that is so much more than piano/drums. It is an impossible-to-turn-away-from music, tapping into the imagination and creating scenarios that were not there before, here now.
Mark Lotz: Turn On, Tune In, Drop Out!
by Mike Jurkovic
There's a curious sense of humor rampant throughout flautist Mark Lotz's 2023 trio outing Tune In, Turn On, Drop Out!. And why shouldn't there be? Given the nature of Lotz's inspiration--acid folk-hero Timothy Leary's era defining treatise by the same title--the music should be that and a whole lot more. And it is!
