Results for "Michael Bloom Media Relations"
Miguel Zenon: Musica De Las Americas
by Dan McClenaghan
Alto saxophonist Miguel Zenon has made a career out of exploring his Puerto Rican roots, with albums like Alma Adentro: The Puerto Rican Songbook (Marsalis Music, 2011), Tipico (Miel Music, 2017) and Yo Soy La Tradicion (Miel Music, 2018). With Musica De Las Americas he broadens his vision to celebrate the history of the American continents, ...
Roscoe Mitchell: Dots - Pieces For Percussion And Woodwinds
by Mark Corroto
While Dots, a solo recording by Roscoe Mitchell, is divided into nineteen separate tracks, this entire hour plus recording might be best consumed as a single unit. Mitchell's use of silence here is as essential as the woodwind notes blown and the percussive objects struck. One track leading into the next might be marked by silence, ...
Throttle Elevator Music: Final Floor
by Chris M. Slawecki
Final Floor marks the last stop of a band that one might say never really was. Throttle Elevator Music was the name given to a jazz-punk studio cooperative project organized and operating from 2011 through 2017 around saxophonist Kamasi Washington, drummer Mike Hughes (aka “Lumpy") and composer and guitarist Gregory Howe. Howe also founded ...
Josh Nelson: The Discovery Project: Live In Japan
by Chris M. Slawecki
In the golden age of television commercials, one commercial distinguished between a product that was popular because it was associated with good taste and one that was popular because it tasted good. The Discovery Project Live in Japan has nothing to do with canned food but it demonstrates pianist Josh Nelson's excellent taste in repertoire and ...
Throttle Elevator Music: Emergency Exit
by Karl Ackermann
The sub-genre of “punk jazz" has existed—on paper— since the 1970s when Patti Smith proposed a collaboration with Ornette Coleman. That partnership did not materialize. When all the moving pieces are pulled together there is little substance to suggest that the category ever shared specific practices or conventions. Then, in 2012, Throttle Elevator Music emerged with ...
Josh Nelson Trio: The Discovery Project: Live In Japan
by Dan Bilawsky
When pianist Josh Nelson's name surfaces in conversation, the art of the trio isn't typically a topic that comes up. A first-call accompanist and collaborator for the vocal elite, and a conceptualist who's crafted smartly arranged musical love letters to everything from steampunk sci-fi to the City of Los Angeles as part of his ongoing Discovery ...
Erik Jekabson Sextet III: One Note At A Time
by Dan Bilawsky
By the time One Note At A Time's first two songs have finished, it's been made abundantly clear that trumpeter Erik Jekabson appreciates a groove as much as he values space. The opener—"Days of Haze"—provides an introductory shot of adrenaline in the form of a tight, funk-framed blues, and “Dusk," in contrast, looks to open vistas, ...
Manu Katche: the scOpe
by Chris M. Slawecki
Manu Katché's tenth album as a leader, the ScOpe encompasses modern and ancient music, tribal and global music, and illustrates why he is not only one of the world's best drummers, but much more. Katché entered the Paris Conservatory as a pianist but switched to percussion as his studies progressed; his mature style eventually ...
Steve Khan: Patchwork
by John Kelman
Amongst the many myths out there about music-making—especially in jazz, where the improvisation quotient is often so high—is that composing may, indeed, be work, but doesn't require the kind of relentless attention to detail that far more truthfully defines how many artists write and arrange their music. These days, one need only look to music by ...
Karina Corradini: From Ella to Elis
by R.J. DeLuke
It's remarkable how some musicians can overcome severe adversity, stay focused, persevere and come out on the other side of the tunnel. There are many such stories, and one is singer Karina Corradini from jny: Buenos Aires, who has been on the jny: Los Angeles jazz scene for some 15 years. Corradini has an ...
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