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6

Article: Album Review

Jared Hall: Influences

Read "Influences" reviewed by Paul Rauch


Jazz music has proliferated through generations traditionally by means of the oral tradition--meaning that knowledge is passed on by mentors, some by personal connection and others by more casual means. In modern times, this tradition lives alongside the jazz school phenomenon, where classrooms and studios incubate talent, while students inescapably still must pay their dues on ...

22

Article: Album Review

Oded Tzur: My Prophet

Read "My Prophet" reviewed by Mike Jurkovic


Simultaneously an open call to prayer and a frisky dance of the debutantes, “Epilogue" and “Child You" beckon and pirouette the muse, the spirit, the higher gods of our calling to come and celebrate My Prophet. Crazy good from the solemn “Epilogue" to the rattling closer, “Last Bike Ride In Paris," My Prophet is ...

12

Article: Live Review

Gilmore Piano Festival 2024

Read "Gilmore Piano Festival 2024" reviewed by John Ephland


Irving S. Gilmore International Piano FestivalKalamazoo, MIApril 24 to May 12, 2024 Thelonious Monk ends his 1967 album Straight, No Chaser with the song “We See." This Monk classic quartet remake from the 1950s was also the last piece of jazz music performed at this year's Irving S. Gilmore International Piano Festival. ...

2

Article: Album Review

Nduduzo Makhathini: uNomkhubulwane

Read "uNomkhubulwane" reviewed by Mike Jurkovic


Abundantly, beatifically, and beautifully ebullient, uNomkhubulwane, Nduduzo Makhathini's eleventh overall effort but third masterwork for Blue Note (his 2020 Blue Note first, Modes of Communication: Letters From the Underworlds and 2022's In the Spirit of Ntu still shimmer and transcend) is, as is the South African pianist's quickly evolving tradition, radiant and revelatory. Emerging ...

7

Article: Album Review

Carl Clements: A Different Light

Read "A Different Light" reviewed by Dan McClenaghan


Sunlight beaming into a church through a stained-glass window is a different light--tinted and soft-hued, suggestive of the presence of divinity. Saxophonist Carl Clements' quartet outing, A Different Light, gives the same impression. Looking to the album's stained glass-like cover art, artist Amanda Barrow's visual for the album seems a fine fit for this distinctive, modern ...

Article: Live Review

Vicenza Jazz 2024

Read "Vicenza Jazz 2024" reviewed by Libero Farnè


Vicenza Jazz 2024 Varie sedi 5--19.5.2024 Il clou della ventottesima edizione di Vicenza Jazz, che ha puntato i riflettori in particolare su protagonisti odierni del pianoforte, si è concentrato dal 13 al 19 maggio. Dopo i concerti serali del 13 e 14 maggio programmati al Teatro Olimpico, dal 15 fino alla conclusione ...

13

Article: Album Review

The Core: Roots

Read "Roots" reviewed by Mark Corroto


It has been over a decade since a release from the Norwegian jazz band The Core. Founded in 2001, the quartet released half a dozen albums before mostly going their separate ways. Saxophonist Kjetil Møster worked with Gard Nilssen, Mats Gustafsson, and Per Zanussi, pianist Erlend Slettevoll with Hedvig Mollestad and Petter Wettre, bassist Steinar Raknes ...

17

Article: Album Review

Antonio Flinta: Anger, Commitment and Love

Read "Anger, Commitment and Love" reviewed by Dan McClenaghan


Chilean-born pianist Antonio Flinta, based now in Italy, catches the ear with his solo piano presentations. His alone-at-the-keyboard albums include Secret Of A Kiri Tree (2022) and 2023's marvelous Peripheral Songs's--both self-produced discs that make a great argument for self-production; they can sit on a serious listening shelf with Keith Jarrett, Kenny Werner or Marc Copland. ...

23

Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

2

Article: Radio & Podcasts

Jose James Makes Music For 'Party And Politics'

Read "Jose James Makes Music For 'Party And Politics'" reviewed by Leo Sidran


Singer Jose James has been a consistent and insistent musical presence ever since he released his first album, The Dreamer in 2008 on British dj Gilles Peterson's newly formed Brownswood Recordings label. Since then he's made a dozen albums, recorded for iconic record labels like Impulse! and Blue Note, and eventually formed his own label Rainbow ...


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