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News: Recording

Max Roach Meets the Backbeat

Max Roach Meets the Backbeat

Modern jazz survived and flourished in the 1950s largely because many gifted artists didn't sell out. Imagine what would have happened if Clifford Brown, Sonny Rollins, John Coltrane, Miles Davis and Bill Evans decided to open music stores or take jobs at universities rather than tour and record? Or if artists like Max Roach, Jimmy Cleveland, ...

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Article: Interview

Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy

Read "Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy" reviewed by David A. Orthmann


In the introduction to his book Jazz Matters (University Of California Press, 2010), David Ake writes about bringing “together the practical side of making jazz, the pedagogical side of teaching it, and the academic side of writing about it." (p. 12) “Nothing but good," Ake adds, “can come if we increase the numbers of scholars who ...

7

Article: Album Review

Juan Pablo Carletti / Tony Malaby / Christopher Hoffman: Niño/Brujo

Read "Niño/Brujo" reviewed by John Sharpe


For his debut album, NYC-based Argentinian drummer Juan Pablo Carletti has made some wise choices, even before one considers the music. Foremost among those is the selection of saxophonist Tony Malaby to front his trio. Malaby has a compelling track record of energising such threesomes, as evidenced by his 14 year tenure in bassist Mark Helias' ...

8

Article: Book Excerpts

Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience

Read "Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience" reviewed by Bill Dal Cerro


The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...

14

Article: Interview

Glenn Zottola: A Jazz Life - The Early Years

Read "Glenn Zottola: A Jazz Life - The Early Years" reviewed by Nicholas F. Mondello


Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...

3

Article: Album Review

Yvonnick Prene and Pasquale Grasso: Merci Toots

Read "Merci Toots" reviewed by Chris Mosey


It is often said--rather nastily--that nobody can name five famous Belgians. Jazz fans can certainly name one: harmonicist Toots Thielemans. Thielemans, who in 2014 announced his retirement at the age of 92, decamped from his homeland after the war to play with just about everyone in the US, including Charlie Parker and--primarily--George Shearing. ...

Article: Live Review

Ran Blake al Teatro Manzoni di Milano

Read "Ran Blake al Teatro Manzoni di Milano" reviewed by Vincenzo Roggero


Ran Blake Aperitivo in concerto Teatro Manzoni Milano 01.03.2015 Imbattersi nella musica di Ran Blake equivale a intraprendere un viaggio sorprendente nella sua arte, tanti e diversi sono gli stimoli, le sollecitazioni, i riferimenti ad altre forme espressive oltre a quella propriamente musicale. Ma altresì diventa momento di riflessione personale, ...

1

Article: Album Review

Anthony Braxton, Tomas Fujiwara, Tom Rainey: Trio (New Haven) 2013

Read "Trio (New Haven) 2013" reviewed by Giuseppe Segala


L'abbinamento spericolato di ance e batteria rappresenta uno dei motivi più penetranti del jazz contemporaneo e continua a essere praticato con pregnanza a abbondanza: se i lavori recenti di Roscoe Mitchell con Tyshawn Sorey e Mike Reed ne disegnano l'aspetto più metafisico e astratto, le numerose escursioni di Ken Vandermark con Paal Nilssen-Love tracciano percorsi audaci ...

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Article: Building a Jazz Library

Classic Bebop

Read "Classic Bebop" reviewed by Chris M. Slawecki


Bebop played the same part in the history of jazz that rock & roll played in the history of pop: Seemingly equal parts genius, accident, hard work, and willful rebellion, it was born of its turbulent times and forever changed the course of music. Bebop is the sharp dividing line between swing and modern ...

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Article: Album Review

Detroit Bop Quintet: Two Birds

Read "Two Birds" reviewed by Mark Corroto


On December 21st 1947 Charlie Parker, Miles Davis, Duke Jordan, Tommy Potter, and Max Roach recorded four Parker compositions for Savoy at United Sound Systems recording studio in Detroit, Michigan. Parker's Quintet was in town for two weeks, performing and backing Sarah Vaughan at the El Sino Club. It appears that Parker hustled to lay down ...


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