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Broun Fellinis, Eric Revis, Luke Stewart and More
by Maurice Hogue
A trip to the mystical island of Boohaabia (you know, the one near the Oasis of Surprise), is the final stop in this show, courtesy of the Broun Fellinis, but before arriving to destination there are stops at several great new releases, like those of American bassists Eric Revis' excellent Slip Knots Through a Looking Glass ...
¡Golpe!, Josephine Davies & Ken Field
by Maurice Hogue
Threesomes! If that's your thing, go for it, but in jazz there's no doubt of the dominance of trios as a common format. Four outstanding trios highlight this edition of OMJ: Portugal's explorative duo ¡Golpe! adds the outstanding bassist Masa Kamaguchi for its excellent new release, Totem, while two others maintain what's working: Bill Frisell with ...
Charlotte Greve, Lynn Cassiers, Federica Michisanti & Camila Nebbia
by Maurice Hogue
These days no one should be surprised at the quantity of highly talented women instrumentalists active in the current jazz and creative music scene. They come from all over the globe, and this episode casts the spotlight on some with current new releases: New York-based German saxophonist Charlotte Greve (The Choir Invisible), Belgian singer and keyboardist ...
Billy Mohler, Mat Walerian, Larry Ochs, Aram Shelton, Alister Spence and More
by Maurice Hogue
I was so taken by bassist Billy Mohler's playing with the Dan Rosenboom Quartet which opens this show, I had to go find Mohler's music. He's featured in the third hour. Also featured are a bunch of great new releases: multi-reedist Mat Walerian with a superb band of Matthew Shipp, William Parker and Hamid Drake, saxophonists ...
Roots Magic, Audio Cave Artists & Alan Braufman
by Maurice Hogue
A new release by the Italian Quartet Roots Magic is always welcome. Their contemporary and improvisatory approach to old blues tunes and the way they always put their own touch on the music of avant-garde jazz composers is kind of unique on the European scene. Take Root Among the Stars, out on Clean Feed, should be ...
Andrew D’Angelo’s DNA Orchestra, Barrage & Luis Nubiola
by Maurice Hogue
The size of a group means nothing. There's as much fantastic music created by a trio as there is by a big band. This episode of OMJ attempts to prove that with sparkling new music from trios (Jason Robinson, Bruno Räberg & Bob Weiner -a definite must on my faves of 2020 list, Cuban/Polish saxophonist Luis ...
Mark Harvey Group, Thumbscrew & Rez Abbasi
by Maurice Hogue
No matter who pianist Russ Lossing chooses for his various trio projects, they always work! His new Mood Suite, with Mark Helias on bass and Eric McPherson on drums is excellent. Although Lossing has played with Helias and McPherson over the past two decades, they've never played as a trio before. Musical osmosis must work, because ...
Alan Braufman, Anteloper & Owl Xounds Exploding Galazy
by Maurice Hogue
It's baseball season—sort of—so I guess you could say this episode of OMJ touches a lot of bases. The NY underground scene gets explored a bit via 70's Loft pioneer Alan Braufman who has a new release, while more recent practitioners of the outside get sampled—Owl Xounds Exploding Galaxy and Scurvy. Today's Jaimie Branch is here ...
Darrifourcq, Hermia & Ceccaldi... and Cheeseburgers
by Maurice Hogue
There are some very creative folks hanging about this week, headed by one of the more unique recordings of the year so far—Kaijū Eats Cheeseburgers—by the uncategorizable trio from France led by drummer/percussionist Sylvain Darrifourcq with saxophonist Manuel Hermia and cellist Valentin Ceccaldi. It's very different but very exciting stuff. Also new from Europe and more ...
Camila Nebbia, Jeff Cosgrove, Vijay Anderson and More
by Maurice Hogue
This episode has a definite focus on the progressive improvisation scene in Buenos Aires, with much of the music centering on the talented tenor player, Camila Nebbia. You'll hear music from several groups where Nebbia is a featured voice. Also debuting this week, drummer Jeff Cosgrove--still in trio mode--but this time without William Parker playing bass; ...
