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John Butcher / Thomas Lehn / Matthew Shipp: The Clawed Stone
by John Sharpe
The unlikely conjunction of American pianist Matthew Shipp, most strongly associated with New York avant jazz, and British saxophonist John Butcher and German electronicist Thomas Lehn, two leading exponents of the European free improvisation scene, works like a dream on The Clawed Stone. It's not a one off. The genesis of this 2017 Paris studio session ...
Rich Halley: The Shape Of Things
by Dan McClenaghan
Nobody rips it up like Portland, Oregon-based tenor saxophonist Rich Halley. Whether he is playing with his West Coast crews on sets like The Literature (Pine Eagle Records, 2018) or The Outlier (Pine Eagle Records, 2016), or recording with his New York City compatriots on Terra Incognita (Pine Eagle Record, 2019). And now we have--with, again, ...
Matthew Shipp - Rob Brown: Then Now
by Karl Ackermann
The piano and saxophone duo of Matthew Shipp and Rob Brown has a musical history which dates back three decades to Sonic Explorations (Cadence, 1988) but they have recorded in this formation sparingly, only releasing one other album, Blink of an Eye (No More Records, 1997). The balance which developed at the start of both of ...
David S. Ware New Quartet: Théâtre Garonne, 2008
by Giuseppe Segala
È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...
Nate Wooley: Seven Storey Mountain VI
by Karl Ackermann
From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and ...
Matthew Shipp / Rob Brown: Then Now
by John Sharpe
Then Now presents a reprise of both pianist Matthew Shipp's and alto saxophonist Rob Brown's debut recording, a duet entitled Sonic Explorations (CJR, 1988). Though they have occasionally collaborated sincelast heard together on Magnetism(s) (Rogue Art, 2017) alongside bassist William Parkerthis is their first album as a twosome since Blink Of An Eye (No More, 1997). ...
Matthew Shipp: The Unidentifiable
by Dan McClenaghan
We can talk about a Bud Powell school of the piano trio, or a Bill Evans school of the piano trio, but maybe it is time to start talking about Mathew Shipp's trio school, with bassist Michael Bisio and drummer Newman Taylor Baker. Shipp has been around the jazz scene for three decades. He has developed ...
Rob Brown - Matthew Shipp: Then Now
by Glenn Astarita
Much could be written about pianist Matthew Shipp and saxophonist Rob Brown's respective legacies within progressive jazz and improvisational circles in the US and abroad. Hence, these narratives are well-documented spanning several decades. On this release, the duo aligns for the third time, following Sonic Explorations (Cadence, 1988) and Blink of an Eye (No More Records, ...
Billy Mohler, Mat Walerian, Larry Ochs, Aram Shelton, Alister Spence and More
by Maurice Hogue
I was so taken by bassist Billy Mohler's playing with the Dan Rosenboom Quartet which opens this show, I had to go find Mohler's music. He's featured in the third hour. Also featured are a bunch of great new releases: multi-reedist Mat Walerian with a superb band of Matthew Shipp, William Parker and Hamid Drake, saxophonists ...
Jeff Cosgrove, John Medeski, Jeff Lederer: History Gets Ahead of the Story
by Ian Patterson
The striking absence of a bassist on this organ-trio tribute to William Parker speaks volumes about the singular approach that Jeff Cosgrove, John Medeski and Jeff Lederer have taken to the compositions of a modern jazz great. Parker's music is so diverse, his output so vast, that a cohesive overview would be difficult to distil onto ...


