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7

Article: Live Review

Dwight Trible at Ronnie Scott's Jazz Club

Read "Dwight Trible at Ronnie Scott's Jazz Club" reviewed by Chris May


Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...

11

Article: Album Review

Various Artists: Sunny Side Up

Read "Sunny Side Up" reviewed by Chris May


London DJ Gilles Peterson's worldwide touring produces some singular jazz and near-jazz experiences, the best of which he documents on his Brownswood Recordings label. Modern Cuban music figures prominently in the catalogue, and there have been several Japanese jazz albums, most memorably the Toshio Matsuura Group's Loveplaydance: 8 Scenes From The Floor (Brownswood, 2018). The label ...

12

Article: Album Review

Dwight Trible: Mothership

Read "Mothership" reviewed by Chris May


The Beatles' Revolver (Parlophone, 1966), recorded while the band were out of their skulls on high-voltage lysergic acid diethylamide, was the first masterpiece of British psychedelic rock. One of the album's highlights, the sitar-drenched closing track, “Tomorrow Never Knows," still sounds potent enough to trigger a flashback. Remarkably, Dwight Trible's version of “Tomorrow Never ...

Album

Shamal Wind

Label: LoveMonk Records
Released: 2018
Track listing: Shamal Wind; Snake Eyes; Soho Strut; The Mirage; Barrio 71; Rebel No. 23.

2

Article: Album Review

The Gondwana Orchestra: Colors

Read "Colors" reviewed by Matt Hooke


Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...

6

Article: Album Review

Nat Birchall meets Al Breadwinner: Sounds Almighty

Read "Sounds Almighty" reviewed by Chris May


The British tenor saxophonist Nat Birchall has been recording uplifting cosmic-jazz since 1999, when he self-released his debut album, The Sixth Sense, a hard-bop tinged affair which included, in tracks such as the two versions of “Helix Nebula," pointers to his future direction. It took Birchall a decade to come to wider attention, with the release ...

5

Article: Album Review

Chip Wickham: Shamal Wind

Read "Shamal Wind" reviewed by Chris May


British flautist and saxophonist Chip Wickham is a graduate of the fertile 1990s modal-jazz scene in the northern city of Manchester. It has produced some stellar talents, amongst whom saxophonist Nat Birchall and trumpeter Matthew Halsall shine most prominently. But while Birchall and Halsall, who guests on one track on Shamal Wind, have each notched up ...

13

Article: Album Review

Nat Birchall: Cosmic Language

Read "Cosmic Language" reviewed by Chris May


Spiritual jazz resonates most deeply during times of social stress and turmoil. It was, after all, created by African American musicians who were engaged with the civil rights movement in the 1960s. Later given the alternative description Afrofuturist jazz, the music had one foot planted in science fiction-inspired magical realism and the other in black consciousness-inspired ...

23

Article: Album Review

GoGo Penguin: A Humdrum Star

Read "A Humdrum Star" reviewed by Phil Barnes


If 2016's Man Made Object, their first for Blue Note, was an exercise in consolidating past triumphs while signposting potential ways forward, then there can be no doubt that with A Humdrum Star GoGo Penguin have stepped into a version of that future. Ostensibly the title is a self-effacing reference to a Carl Sagan TV series ...

14

Article: Album Review

Mammal Hands: Shadow Work

Read "Shadow Work" reviewed by Phil Barnes


Our best musicians can soak up influences from many diverse sources, assimilate them into their own style, and allow them to emerge during improvisation. This is why, as readers of this site will surely be aware, a piece can sound different in the hands of two skilled jazz musicians even when the raw material of the ...


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