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Dan Weiss: Even Odds
by Mark Corroto
Drummer and composer Dan Weiss turns his experiments and percussion exercises into compositions on this trio recording Even Odds. In other words, he composes, not on a piano, but with his drum kit for the twenty tracks heard here. That fact may not be groundbreaking except that Weiss recorded those tracks and sent the music to ...
It Is What It Is
Album: Even Odds
By Dan Weiss
Label: Cygnus Recordings
Released: 2024
Duration: 3:38
Caroline Davis’ Alula: Captivity
by Alberto Bazzurro
Quote rosa in perfetto equilibrio in questo nuovo lavoro della quarantaduenne altosassofonista Caroline Davis, al secolo Caroline Rebecca Anson, alla testa di Alula, in edizione riveduta e corretta (con Chris Tordini e Tyshawn Sorey al posto di Matt Mitchell e Greg Saunier, oltre a Val Jeanty, giradischi ed elettronica), e in equilibrio anche il comparto acustico ...
Yuhan Su: Liberated Gesture
by Angelo Leonardi
«Quest'album rappresenta la libertà che stavo cercando--dice Yuhan Su--una variante di me più raffinata e un messaggio sul periodo in cui ci troviamo». Giunta al quarto disco in un decennio d'attività professionale a New York, la vibrafonista taiwanese conferma d'essere una strumentista di prim'ordine e soprattutto una compositrice e leader innovativa, in equilibrio ...
Dan Weiss: Even Odds
by Mike Jurkovic
To say that “It Is What It Is"--regarding drummer/composer Dan Weiss's feverish first track on the fervently episodic Even Odds--misses the whole point entirely. It could be anything. And within its spacious yet oddly claustrophobic three-and-a-half minutes, evolutions come and go in real time. And real time is a bitch if you cannot keep up.
Anna Webber: Shimmer Wince
by John Sharpe
There is often an underlying rigor to the work of Canadian saxophonist and flautist Anna Webber, be that inspiration from the digital world on Binary (Skirl, 2016), her investigation of multiphonic intervals on Idiom (Pi, 2021) or contemporary classical percussion repertoire on Clockwise (Pi, 2020). On Shimmer Wince, she derives her compositions from ...
Quinsin Nachoff: The Science of the Sublime
by Lawrence Peryer
New York-based tenor saxophonist and composer Quinsin Nachoff creates at the intersection of jazz and classical music--and his work history demonstrates he is equally at home in both worlds. From saxophone concertos, chamber music and string quartet to his stellar group Flux--featuring David Binney, Matt Mitchell, Kenny Wollesen and Nate Wood--Nachoff is obliterating genre ...
Stephen Gauci: Live At Sowieso, Berlin
by John Sharpe
Tenor saxophonist Stephen Gauci cuts a busy figure in his native New York City. But with Live At Sowieso, Berlin he brings his brand of unbridled energy to the hotbed of free improv which is the titular German city with striking results. He retains one familiar face for the journey in the shape of drummer Kevin ...
Jon Irabagon's Outright!: Recharge the Blade
by Mark Corroto
As with nearly all of saxophonist Jon Irabagon's music, the matter for debate is whether the listener needs to be as caffeinated as the musician. His brand of performance, going back two decades, has been one of constant motion and a bottomless cup of ideas. We heard this in Irabagon's contribution to the band Mostly Other ...
Yuhan Su: Liberated Gesture
by Hrayr Attarian
A remarkable feature of vibraphonist Yuhan Su's captivating fourth release as a leader, LIberated Gesture, is its cohesiveness and narrative quality. Even though only three tracks are part of a suite, common motifs and logical transitions interconnect all ten. This and the sublime balance between the emotional and the cerebral endows the work with its enchanting ...
