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236

Article: Album Review

Steve Raegele: Last Century

Read "Last Century" reviewed by Matt Marshall


"Mostly, this is the sound of half-awake dreams, phantasmic moments of glowing red dawn," guitarist Steve Raegele writes in the liner notes to Last Century. “I think of these songs as having been created by reaching out from a moving train to grab onto shapes that would be lost in the blur." As ...

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Article: Extended Analysis

Lee Morgan: Search for the New Land

Read "Lee Morgan: Search for the New Land" reviewed by Matt Marshall


Lee Morgan Search for the New Land Blue Note / Music Matters 2009 (1964) Backed by what may have been his most emphatically modern group, trumpeter Lee Morgan did indeed set out on an exploratory quest in this follow-up to his smash, hard bop gem, The Sidewinder (Blue Note, 1964). ...

468

Article: Extended Analysis

Sonny Rollins: Vol. 1

Read "Sonny Rollins: Vol. 1" reviewed by Matt Marshall


Sonny Rollins Vol. 1 Blue Note / Music Matters 2009 (1956) Often lost and forgotten in the mix of spectacular albums saxophonist Sonny Rollins made for the Prestige label in 1956 (including “all-time" sets Saxophone Colossus and Tenor Madness) and his second Blue Note effort, Sonny Rollins Vol. 2 (1957), ...

304

Article: Extended Analysis

Samo Salamon Trio feat. Michel Godard & Roberto Dani: Live!

Read "Samo Salamon Trio feat. Michel Godard & Roberto Dani: Live!" reviewed by Matt Marshall


Samo Salamon Trio feat. Michel Godard & Roberto Dani Live! Samo Records 2009 The tuba has experienced something of a resurgence as a featured jazz instrument in the last couple of years. Far from its New Orleans' roots, where the twizzled piece of metal mainly thumped its beats in the ...

570

Article: Extended Analysis

Grant Green: Matador

Read "Grant Green: Matador" reviewed by Matt Marshall


Grant Green Matador Blue Note / Music Matters 2009 (1964) This may be the reissue of 2009: a resplendent vinyl pressing of guitarist Grant Green's Matador on two 180-gram, 45-rpm records from Music Matters. This May 1964 recording was, like many Blue Note sets, not released until many years later ...

535

Article: Extended Analysis

Nellie McKay: Normal As Blueberry Pie

Read "Nellie McKay: Normal As Blueberry Pie" reviewed by Matt Marshall


Nellie McKay Normal As Blueberry Pie Verve 2009 Singer, musician, composer Nellie McKay has often--perhaps too conveniently--been compared to legendary big band singer and movie star Doris Day, to whom she pays tribute with this album. And certainly, McKay has played off Day's cotton-candy image all along, from the perky ...

658

Article: Extended Analysis

Eric Dolphy: Out To Lunch! - 45 rpm Reissue

Read "Eric Dolphy: Out To Lunch! - 45 rpm Reissue" reviewed by Matt Marshall


Eric Dolphy Out To Lunch! Blue Note / Music Matters 2009 (1964) Few jazz fans still need an introduction to reed player Eric Dolphy's 1964 masterpiece, Out to Lunch!. It's an album people tend to come to fairly early on in their love affair with the music (assuming, that is, ...

798

Article: Live Review

30th Annual Detroit International Jazz Festival

Read "30th Annual Detroit International Jazz Festival" reviewed by Matt Marshall


Hank Jones / Corea, Clarke & White Sean Jones / Dave Brubeck Quartet / Brian Auger's Oblivion Express Alfredo Rodriguez / Dennis Coffey / Wayne Shorter Quartet Chuchito Valdes / Stefon Harris & Blackout 30th Annual Detroit International Jazz Festival Detroit, Michigan ...

279

Article: Album Review

Gordon Grdina's East Van Strings: The Breathing of Statues

Read "The Breathing of Statues" reviewed by Matt Marshall


Guitarist/oudist Gordon Grdina has gathered a marvelous string trio to fulfill a longtime desire of producing music in the mode of Béla Bartók. The compositions on The Breathing of Statues were written specifically for the trio involved--violinist Jesse Zubot, violist Eyvind Kang and cellist Peggy Lee--after Grdina had played with them freely. Grdina's writing then served ...

274

Article: Live Review

Mose Allison at Nighttown

Read "Mose Allison at Nighttown" reviewed by Matt Marshall


Nighttown Cleveland Heights, Ohio August 29, 2009 Mose Allison sings for survivors. He always has. He sings easy, buoyant blues in a lackadaisical style. His voice, while rubbed at the edges from more than 50 years on the road, is still crisp with vaudevillian nonchalance. He accompanies himself with confident, insistent ...


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