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Paul Booth: Trilateral
by Bruce Lindsay
For some people the Big 4-0 is the key, for others it's the Big 5-0 or 6-0 or 7-0. For saxophonist Paul Booth it was his forthcoming 33rd birthday that proved to be a cause for reflection. As the day loomed in 2010, Booth was already thinking about a trio record with bass and drums. The ...
Steve Lehman: Dialect Fluorescent
by Troy Collins
Currently a doctoral candidate in Music Composition at Columbia University, alto saxophonist Steve Lehman's previous releases for Pi Recordings include Travail, Transformation and Flow (2009), On Meaning (2007) and Demian as Post-Human (2005). On these cerebral endeavors, the former Fulbright scholar and Wesleyan graduate engaged his penchant for fusing vintage hard bop-style melodies with post-M-Base rhythmic ...
Mike Moreno: Another Way
by Mark F. Turner
Though it's difficult to stand out in a climate where new names appear almost daily, Mike Moreno has proven to be one of the more identifiable young jazz guitarists in recent years. At home in a number of settings, his fluid style has been found in the abstract hip hop styling of Q-Tip's The Renaissance (Universal ...
John Escreet: Music for This Age
by R.J. DeLuke
Looking forward--moving forward--is an essential quality to pianist John Escreet, a United Kingdom native who moved to the United States, specifically New York City, in 2008 to pursue an education at the Manhattan School of Music. So is achieving a unique sound and approach, both for artistic and practical reasons. Escreet, age 22 when ...
Shane Endsley and the Music Band: Then The Other
by Daniel Lehner
Naming your working ensemble The Music Band might seem like a very tongue in cheek gesture at first. However, Shane Endsley's second release as a leader (and the first record to come out on Kneebody's Low Electrical Records) shows that the versatile and quietly charismatic trumpeter has a sincere interest in playing music, both jazz and ...
Vladimir Kostadinovic: Course Of Events
by Jerry D'Souza
The first choice of instrument may not always be the one that lasts through life. Serbian born drummer Vladimir Kostadinovic began playing the accordion when he was seven. When he got his first drum set from his brother four years later, the instrument became his passion. He attended music school in Belgrade, and graduated from the ...
Winter Jazzfest, New York City, Day 1: January 7, 2011
by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...
Steve Lehman / Rudresh Mahanthappa: Dual Identity
by Mark F. Turner
Recorded live at Portugal's Braga Jazz Festival in 2009 Dual Identity features two leading sax innovators--Steve Lehman and Rudresh Mahanthappa--in a stunning performance. Their discographies are synonymous with the current environment of progressive jazz; music that stretches boundaries with fresh ideas in conceptualization (Lehman's spectral harmony experiments in Travail, Transformation, and Flow (Pi Recordings, 2009)) and ...
John Escreet: Don't Fight The Inevitable
by Bruce Lindsay
British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...
John Escreet: Don't Fight The Inevitable
by Dan Bilawsky
Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...
