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Antonio Sanchez: Doing It All
by Ian Patterson
Antonio Sanchez has been guitarist Pat Metheny's first-choice drummer for the past decade. The tremendous finesse, propulsion and extensive vocabulary that Sanchez possesses have illuminated not only Metheny's recordings, but those of heavyweights such as vibraphonist Gary Burton, saxophonist Michael Brecker, and pianists Chick Corea and Danilo Perez. In recent years, Sanchez has been much in ...
Gonzalo Rubalcaba: XXI Century
by Mark Corroto
If Gonzalo Rubalcaba were a major league pitcher, he would be a seasoned veteran with the knowledge that to be effective he would have to be the master of multiple pitches. Gone are his rookie days when he could throw nothing but fastballs to get outs.Same for Gonzalo Rubalcaba, jazz pianist. Twenty-five years ago ...
Steve Lehman Trio: Dialect Fluorescent
by Glenn Astarita
Among studies with new music icons, reedman Anthony Braxton and trombonist George Lewis, alto saxophonist Steve Lehman has emerged as an important figures in the recent shift towards a more radical spin on jazz. Pushing the envelope is a common thrust for Lehman, who historically enjoys working within a tight-knit trio setting. On this release, he ...
Paul Booth: Trilateral
by Bruce Lindsay
For some people the Big 4-0 is the key, for others it's the Big 5-0 or 6-0 or 7-0. For saxophonist Paul Booth it was his forthcoming 33rd birthday that proved to be a cause for reflection. As the day loomed in 2010, Booth was already thinking about a trio record with bass and drums. The ...
Steve Lehman: Dialect Fluorescent
by Troy Collins
Currently a doctoral candidate in Music Composition at Columbia University, alto saxophonist Steve Lehman's previous releases for Pi Recordings include Travail, Transformation and Flow (2009), On Meaning (2007) and Demian as Post-Human (2005). On these cerebral endeavors, the former Fulbright scholar and Wesleyan graduate engaged his penchant for fusing vintage hard bop-style melodies with post-M-Base rhythmic ...
Mike Moreno: Another Way
by Mark F. Turner
Though it's difficult to stand out in a climate where new names appear almost daily, Mike Moreno has proven to be one of the more identifiable young jazz guitarists in recent years. At home in a number of settings, his fluid style has been found in the abstract hip hop styling of Q-Tip's The Renaissance (Universal ...
John Escreet: Music for This Age
by R.J. DeLuke
Looking forward--moving forward--is an essential quality to pianist John Escreet, a United Kingdom native who moved to the United States, specifically New York City, in 2008 to pursue an education at the Manhattan School of Music. So is achieving a unique sound and approach, both for artistic and practical reasons.Escreet, age 22 when he ...
Shane Endsley and the Music Band: Then The Other
by Daniel Lehner
Naming your working ensemble The Music Band might seem like a very tongue in cheek gesture at first. However, Shane Endsley's second release as a leader (and the first record to come out on Kneebody's Low Electrical Records) shows that the versatile and quietly charismatic trumpeter has a sincere interest in playing music, both jazz and ...
Vladimir Kostadinovic: Course Of Events
by Jerry D'Souza
The first choice of instrument may not always be the one that lasts through life. Serbian born drummer Vladimir Kostadinovic began playing the accordion when he was seven. When he got his first drum set from his brother four years later, the instrument became his passion. He attended music school in Belgrade, and graduated from the ...
Winter Jazzfest, New York City, Day 1: January 7, 2011
by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...
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