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Shane Endsley and the Music Band: Then The Other

by Daniel Lehner
Naming your working ensemble The Music Band might seem like a very tongue in cheek gesture at first. However, Shane Endsley's second release as a leader (and the first record to come out on Kneebody's Low Electrical Records) shows that the versatile and quietly charismatic trumpeter has a sincere interest in playing music, both jazz and ...
Vladimir Kostadinovic: Course Of Events

by Jerry D'Souza
The first choice of instrument may not always be the one that lasts through life. Serbian born drummer Vladimir Kostadinovic began playing the accordion when he was seven. When he got his first drum set from his brother four years later, the instrument became his passion. He attended music school in Belgrade, and graduated from the ...
Winter Jazzfest, New York City, Day 1: January 7, 2011

by Daniel Lehner
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Since the informal move of jazz to the cities in the 1930s, the lore and legend of jazz compositions have lain in streets and places. The most common ones were the clubs, where innovations in jazz were ...
Steve Lehman / Rudresh Mahanthappa: Dual Identity

by Mark F. Turner
Recorded live at Portugal's Braga Jazz Festival in 2009 Dual Identity features two leading sax innovators--Steve Lehman and Rudresh Mahanthappa--in a stunning performance. Their discographies are synonymous with the current environment of progressive jazz; music that stretches boundaries with fresh ideas in conceptualization (Lehman's spectral harmony experiments in Travail, Transformation, and Flow (Pi Recordings, 2009)) and ...
John Escreet: Don't Fight The Inevitable

by Bruce Lindsay
British pianist John Escreet is a prodigiously talented young musician with a growing reputation as a player and composer. Don't Fight The Inevitable--his second solo album, following 2008's acclaimed Consequences (Posi-Tone Records)--finds Escreet in the company of top-flight New York players, creating some intense and complex music. The quintet is almost identical to ...
John Escreet: Don't Fight The Inevitable

by Dan Bilawsky
Highbrow compositions and intuitive musicianship work hand-in-hand with stellar results on pianist John Escreet's Don't Fight The Inevitable. Escreet's band of like-minded modernists, including saxophonist David Binney and trumpeter Ambrose Akinmusire, had the opportunity to work through this music on the bandstand during a European tour, an experience that helped them to delve deeply into these ...
John Escreet: Don't Fight the Inevitable

by John Kelman
Since moving to New York in 2006, pianist John Escreet has positioned himself as one of the scene's most significant up-and-comers. In addition to performances with artists including Chris Potter and Seamus Blake, he's a member The Story, which released its self-titled debut independently in 2009. Escreet also gigs with David Binney, appearing on Aliso (Criss ...
Adam Niewood: Epic Journey, Volumes I & II

by Karl Ackermann
Post modern jazz musicians like New York-based multi-reed instrumentalist Adam Niewood are sometimes more adroit at pushing boundaries in terms of incorporating non-traditional instruments and equally non-traditional compositions. Niewood wrote most of the tracks on Epic Journey, Volumes I & II, composing with a mind toward letting the instruments speak in their own voices while overlapping ...
Mark Turner: International Alliances

by Tom Greenland
Diego Barber Calima Sunnyside Records 2008 Mamasaal Quartet Mamasaal feat. Mark Turner SAZAS 2008 Saxophonist Mark Turner, a notable bandleader and distinctive voice in his own right, ...
Ryan Keberle: Heavy Dreaming

by Dan Bilawsky
Brass band-oriented projects seemed to be all the rage in 2009. Dave Douglas, leaning on the work of Lester Bowie and the heritage of the Crescent City, garnered great critical acclaim and artistic success with his Brass Ecstasy project. Saxophonist David Binney created a mysterious and intriguing blend between a guest brass section and his core ...