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Slowly Rolling Camera: Where the Streets Lead
by Chris May
You might imagine jazz musicians are well suited to run record companies, for risk taking and creativity are fundamental to both activities. Mostly, however, musician-led labels have unhappy histories. Either the musician is not from the top drawer and their A&R skills suffer accordingly; or they lack the administrative skills to run a business enterprise effectively. ...
Chip Wickham: Blue To Red
by Chris May
The marketing thrust accompanying Chip Wickham's third album emphasises an affinity between the disc and the late 1960s / early 1970s work of Yusef Lateef and Alice Coltrane. Certainly, Blue To Red ticks two boxes: Wickham puts aside his saxophone to play only flute and alto flute, whose seraphic tones were favoured by Lateef and Coltrane; ...