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Joe Morris Quartet: Balance
by Glenn Astarita
After several albums and great synergy, guitarist Joe Morris disbanded the quartet in 2000 with many of his associates stating it was a “terrible idea." For this reunion, the musicians' artistic evolution surges on via a conglomeration of diminutive and soaring theme-building episodes, asymmetrical footprints, and staggered detours, instilling a continual sense of anticipation.
Enjoy Jazz Festival 2014
by Adriana Carcu
Enjoy Jazz Festival Heidelberg, Mannheim, Ludwigshafen, Germany October 2 -November 15, 2014 Here are the festival numbers: 80 shows in almost seven weeks on 25 stages, performed by 250 musicians from 35 countries. Beyond the numbers there are many names: quite a few well known, a fair amount of established artists ...
Punkt Festival 2014
by Henning Bolte
Punkt Festival Kristiansand, Norway September, 4-6, 2014 Kristiansand, home of the Annual Punkt Festival for the past decade, is a municipality situated on the southernmost point of Norway at the Skagerrag strait. It has a population of 86,000 (the greater urban area, 155,000) and is the county capital of Vest- Agder.
Manfred Eicher: ECM - Selected Signs III - VIII
by John Kelman
When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved ...
Ivo Perelman - 5 CD in un anno
by Vincenzo Roggero
Nella carriera del sassofonista e artista visuale brasiliano Ivo Perelman (il suo sito è significativamente dedicato ai due differenti ambiti artistici), iniziata discograficamente nel 1989 con l'album Ivo, possiamo individuare due punti fermi, due caratteristiche rimaste per lo più immutate nel corso degli anni. La prima è la presenza all'interno di un free spesso privo di ...
Ivo Perelman, leone ipertrofico
by Alberto Bazzurro
Ormai da qualche anno l'andazzo è questo: due uscite all'anno, tre album alla volta, e via andare. Ci riferiamo ovviamente alle infornate discografiche di cui si rende protagonista Ivo Perelman su etichetta Leo. Inflazione produttiva? A dir poco. Anche perché, di fatto, i dischi sono più o meno tutti uguali. Né potrebbe essere altrimenti, al di ...
Your Shipp Has Come In
by Mark Corroto
These two guest appearances demonstrate that pianist Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion.
Max Johnson: Big Eyed Rabbit
by Karl Ackermann
Bassist Max Johnson is one of the most prolific and versatile musician/composers in music today and likely on the verge of a major breakthrough. Barely past the year's mid-point Johnson has offered three fine releases with different groups and distinctly different styles. Recording with Kirk Knuffke on cornet on Johnson's namesake trio release The Invisible Trio ...
Vision Festival 19 Welcomes Whit Dickey And James Blood Ulmer
In addition to celebrations of Roy Campbell and Amiri Baraka, the creators of Vision Festival love to support under appreciated masters such as Whit Dickey. And they craft special gatherings such as a revisit of a ground breaking James Blood Ulmer unit called The Music Revelation Ensemble. Whit Dickey will lead his quartet in the opening ...
Max Johnson: The Prisoner
by John Sharpe
NYC-based bassist Max Johnson already boasts an impressively strong discography, after just two entries: Quartet (Not Two, 2013) and Elevated Vegetation (FMR, 2012). With a new crew on board for The Prisoner, he tackles that hoary chestnut the concept album. Except of course that in the medium of jazz, this doesn't mean a string of banal ...
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