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Album

Dust

By Mat Maneri

Label: Sunnyside Records
Released: 2019
Track listing: Mojave; 51 Sorrows; Red Seven; Motian; Two Hymns; Losed; Last Steps; Retina; Dust.

Album

Symbolic Reality

By Matthew Shipp

Label: Rogue Art
Released: 2019
Track listing: Central Flame; Symbolic Reality; Flesh and Bone; Inner Speech; The Other Universe; Law of Sequence.

37

Article: Album Review

Mat Maneri Quartet: Dust

Read "Dust" reviewed by Glenn Astarita

by Glenn Astarita

The respective artists are firmly rooted in the modern vanguard of experimentation, improvisation and countless offshoots of the jazz vernacular. However, A-list bassist John Hebert is also a veteran of many modern/progressive jazz sessions but, as evidenced here, is also comfortable exploring the outside realm. Hence, the musicians dish out a rather somber and stoic chamber-jazz ...

2

Article: Radio & Podcasts

Day and Taxi, Adam Rudolph, Harish Raghavan and More

Read "Day and Taxi,  Adam Rudolph, Harish Raghavan and More" reviewed by Maurice Hogue

by Maurice Hogue

First out of the mixed bag of audio treats this week (it's Halloween after all!) is a track from Oliver Lake's first recording 43 years ago Ntu: The Point from Which Creation Begins. I haven't played Oliver in a while and that seemed like a good place to begin catching up. Adam Rudolph's epic project, Ragmala, ...

2

Article: Radio & Podcasts

Miles Davis' Rubberband, Kuba Wiecek Trio & KaMaSz

Read "Miles Davis' Rubberband, Kuba Wiecek Trio & KaMaSz" reviewed by Maurice Hogue

by Maurice Hogue

Two rather contrasting recordings highlight this episode: Dan Weiss with his trio augmented by a second bassist and Rubberband, the once-shelved and now revived release from Miles Davis which was recorded after he had left Columbia. On Weiss' album, he displays the chops (often with heavy rock influences) that make him such a high-in-demand player, while ...

20

Article: Album Review

Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)

Read "Momentum 4: Consequent Duos 2015>2019 (Box Set)" reviewed by Karl Ackermann

by Karl Ackermann

When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...

12

Article: Album Review

Denman Maroney: Solo @70

Read "Solo @70" reviewed by Karl Ackermann

by Karl Ackermann

Denman Maroney, best-known for his use of the dual-keyboard hyper piano, celebrates his seventieth birthday with a massive collection of solo pieces played on the traditional piano. However, there is little traditional about Solo@70. Maroney's sizable catalog of over forty releases includes several solo projects; the previous such album, Domicil Solo (Live) (Self Produced, 2017) consisting ...

2

Article: Radio & Podcasts

On Miles' (not so) Silent Way

Read "On Miles' (not so) Silent Way" reviewed by Ludovico Granvassu

by Ludovico Granvassu

On 30 July 1969 Miles Davis released In a Silent Way. After influencing generations of musicians, its tracks continue to sound as modern 50 years later as when they were first recorded. This week we celebrate the musical trail blazed by that seminal album by focusing on musicians that have embraced Miles' electric ...

3

Article: Album Review

Liam Noble: The Long Game

Read "The Long Game" reviewed by Roger Farbey

by Roger Farbey

For a quarter of a century, Liam Noble has been an essential participant in the British jazz scene. Educated in music at Oxford University and jazz at London's Guildhall School of Music and Drama, Noble released his first solo album Close Your Eyes (FMR Records) in 1994. Since then he's played in bands led by Stan ...

9

Article: Album Review

Club d'Elf: Night Sparkles

Read "Night Sparkles" reviewed by Karl Ackermann

by Karl Ackermann

For the Boston, Massachusetts-based Club d'Elf, the boundaries are long gone; they may never have been there to start with. Almost twenty years ago, the group debuted with Live at The Lizard Lounge (Grapeshot Media, 2000), an amalgam of jazz, electronica, hip hop, and funk. At times, the group (always a fluid entity) has included accordion, ...


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