Results for "Mark Taylor"

Mark Taylor

Mark Taylor's work with Max Roach, Henry Threadgill and Muhal Richard Abrams, among many others, established his reputation as a go-to French Hornist in the jazz and improvised music communities. Putting aside the Horn for the composer’s pen, Taylor’s newest work continues the spirit that won him recognition from legendary artist Max Roach, who said, “there is no one dealing with the music the way Mark is.” Taylor, a native of Chattanooga, TN, has been commissioned to compose for theatre, dance, and the concert stage. He placed two songs in the Dollface Productions independent feature film "The Girl" and scored the documentaries “9/11 Fear In Silence” for JadeFilms and Camille Billops' "A String of Pearls”

Jenny Davis: Rearranged

By C. MICHAEL BAILEY

The first listen is simply heating the snifter to introduce the complex and commanding music made as essence to the listener. The second and subsequent listenings consumes the musical liquor of the talent and vision of vocalist and composer Jenny Davis, who reveals a very sophisticated creative method existing at the triple point of her singing, ...

Thomas Marriott: Trumpet Ship

By PAUL RAUCH

In a day and age when social and personal narratives pervade the jazz recording medium, it is a welcoming feeling to experience a recording of superb jazz musicians playing music in the moment the way it's supposed to be played—for the people. For his spring 2020 quartet release Trumpet Ship (Origin, 2020), Seattle-based trumpeter ...

Michael Weiss: Soul Journey

By LUKE SEABRIGHT

Bebop is a complex craft, and like all crafts the only way to get any good at it is by learning from those who mastered it before you. Jamming through the night, getting on to that bandstand and firing away your best improvised lines, jousting with your partners (be they friends or strangers) like in the ...

Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution

By PAUL RAUCH

It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...

Jay Thomas: We Always Knew

By PAUL RAUCH

Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...

Randy Halberstadt: Open Heart

By PAUL RAUCH

Seattle based pianist Randy Halberstadt has been a major figure on the jazz scene in the Pacific Northwest for several decades, applying his talents as a pianist, composer, educator, and author. He has four previous releases as a leader, most recently with Flash Point (Origin, 2010). So yes, it has been some time since we last ...

Origin Records: Creating Opportunities and Community

By JAKOB BAEKGAARD

Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on “labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...

Sidney Hauser: Justice and Jubilation

By PAUL RAUCH

The hiring of young saxophonist Sidney Hauser, to fill the second alto saxophone chair with the prestigious Seattle Repertory Jazz Orchestra may seem like a musical sidenote to the history of this 17 piece ensemble that was formed in 1995. But considering the marginalization of women instrumentalists in jazz over the course of the genre's history, ...