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Yelena Eckemoff: Blooming Tall Phlox

by Mark Sullivan
You can look up the phlox flower online: there are 67 species, many of them fragrant. But none of the photographs or botanical classifications will tell you how it smells. For that we have pianist/composer Yelena Eckemoff's musical impressions here, along with a range of other smells recalled from her Russian childhood. When Eckemoff visited Finland ...
Club d'Elf: Live at Club Helsinki

by Mark Sullivan
The Boston-based collective Club d'Elf seems to attract genre labels like nobody's business. Moroccan-dosed dub-jazz, trance, psychedelia, free jazz, electronica, hip hop, avant-garde, jam band, rock...what other styles have you got? At one point or another any of these labels could apply, but the distinctions are blurred in the joyous sonic stew. The band has hosted ...
Knut Riisnæs Quartet: 2nd Thoughts

by Mark Sullivan
Contemporary Norwegian jazz has a well-deserved reputation for atmospheric beauty. Such players as saxophonists Jan Garbarek and Trygve Seim, trumpeters Nils Petter Molvær and Arve Henriksen, and guitarists Terje Rypdal and Eivind Aarset (all associated with ECM Records) have attracted international attention for many years. But Norway also has strong roots in bebop, and the Knut ...
LEAGUS (Herborg Rundberg & Kristian Svalestad Olstad): Lea Áigi

by Mark Sullivan
LEAGUS is a Norwegian duo made up of pianist Herborg Rundberg and guitarist Kristian Svalestad Olstad. Together they make music that ranges from minimalist atmospherics to frenetic free-noise. Rundberg has studied both classical music and jazz/pop/rock, and has worked with coastal sami traditions. Olstad studied jazz/pop/rock, and is involved in improvisation and studio recording (he mixed ...
Alex Jønsson: Heart Of Gold: Live In Aarhus

by Mark Sullivan
Recorded live at a living room concert, Heart of Gold presents an intimate portrait of Danish guitarist/composer Alex Jønsson and his trio. The title tune opens the set: it's not the well known Neil Young song, but it does have an Americana tinge. Drummer Andreas Skamby sets up a pillow of sound using mallets, bassist Jens ...
Steve Slagle: Alto Manhattan

by Mark Sullivan
Alto Manhattan is Latino for the New York City neighborhood upper Manhattan" (or the heights"). It's also where veteran alto saxophonist/flutist Steve Slagle lives, making for a nice bit of wordplay in the album title. This is a well-balanced program, with just a bit more Latin tinge than average. Family" launches the set with Latin-flavored hard ...
Daniel Diaz: Swan Song

by Mark Sullivan
French composer Daniel Diaz makes his living composing soundtrack music, but Swan Song is more of a personal travelogue/soundscape. It's based around memorable melodies, supported by sophisticated harmonies and gentle, sometimes elusive rhythms. The overall effect is not unlike some of Brian Eno's ambient music: a series of brief atmospheric tunes that make more of an ...
João Hasselberg & Pedro Branco: Dancing Our Way To Death

by Mark Sullivan
Portuguese bassist João Hasselberg and guitarist Pedro Branco both hail from Lisbon, but are currently living and studying elsewhere--Hasselberg in Copenhagen, Branco in Amsterdam. They each contribute compositions to this co-led project, as well as play the core instrumental tracks, aided by additional players and vocalists. First, it must be said that the music is not ...
Mark Sullivan's Best Releases of 2016

by Mark Sullivan
So many reviews this year, in so many genres, that I've split them into two categories--"Jazz" and Latin, World & Experimental"--in response to the feeling that I was trying to compare apples to oranges. They're presented in more or less chronological order, and the guiding principle was whether I had a clear memory of the recording ...
Olga Konkova & Jens Thoresen: December Songs

by Mark Sullivan
December Songs is a sly title for an album of mostly Christmas music, but it suits the subtle approach taken by the Norwegian duo of pianist Olga Konkova and guitarist Jens Thoresen. The arrangements consistently find fresh approaches to very familiar music, transforming the tunes into something elusive and beautiful. Add in the improvisational element, and ...