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Loose Tubes: Sad Afrika
by John Kelman
Loose TubesSäd AfrikaLost Marble2012With virtually none of its discography available on CD--and the only one, Open Letter (EG, 1988), shamefully out-of-print--it's no mean accomplishment that Britain's Loose Tubes has remained, if not exactly legendary, then at least firmly etched into the minds of those aware of them. Of ...
Nikki Iles: Meditation and Collaboration
by Bruce Lindsay
Pianist and composer Nikki Iles describes herself as one of the “not-so-young-anymore generation" of British jazz musicians--a fair comment, in chronological terms, from a musician born in the mid-'60s. But more importantly, she's a musician of experience, expertise and talent, viewed with great respect by players across the world. Iles' self-description does seem to be typical ...
Blue Touch Paper: Stand Well Back
by John Kelman
Blue Paper Touch Stand Well Back Provocateur Records 2011 Based on his recent work, creating impressive big band tribute projects including Visions of Miles--The Electric Period of Miles Davis (In+Out, 2009) and John Lennon--In My Own Write (Provocateur, 2011), it might be understandable to think of Colin Towns as an ...
It's Our Generations
by Bruce Lindsay
It's been a strange summer here in the UK. To be fair, that description can be applied with no trace of irony to almost any British summer--and the summer of 2011 seems to have been a strange one for much of the world. But this is a JazzLife UK article, and parochial concerns are paramount, thus ...
Jazz no Parque: July 15-17, 2011
by John Kelman
Mário Laginha e Convidados Jazz no Parque Fundação Serralves July 16, 2011 An invite to Porto, Portugal in the middle of the summer, to catch a single performance--a world premiere, at that--and spend some time soaking up the landscape and culture? Hard enough to resist under any circumstances, but when the ...
Billy Jenkins: Jazz Gives Me The Blues
by Chris May
Billy JenkinsJazz Gives Me The BluesVOTP Records2011 If the title Jazz Gives Me The Blues suggests that London guitarist/vocalist Billy Jenkins is hacked off with jazz, you would be right. Kind of. What Jenkins objects to is the gentrification and institutionalization of jazz, once--a quantum leap from ...
Rachel Musson's Skein: Flight Line
by Chris May
Rachel Musson's SkeinFlight LineF-IRE2011 The London musicians' collective/record label F-IRE can take much of the credit for the emergence of some singular saxophonists during the early to mid-2000s: Peter Wareham (Acoustic Ladyland and Polar Bear), Mark Lockheart (Polar Bear), Finn Peters and Ingrid Laubrock being foremost among ...
Loose Tubes: Tomorrow Night is Your Last Chance Ever
by Bruce Lindsay
Twenty years after legendary British big band Loose Tubes played its farewell gigs at Ronnie Scott's Club in London, its first live album, Dancing On Frith Street (Lost Marble Records, 2010), became Jazzwise magazine's Archive Album of 2010. In the intervening decades, the band's members had spread across the British and international jazz scenes to become ...
Loose Tubes' Django Bates and Mark Lockheart Interiewed at All About Jazz
Twenty years after legendary British big band Loose Tubes played its farewell gigs at Ronnie Scott's Club in London, its first live album, Dancing On Frith Street (Lost Marble Records, 2010), became Jazzwise magazine's Archive Album of 2010. In the intervening decades, the band's members had spread across the British and international jazz scenes to become ...
Loose Tubes: Dancing On Frith Street
by Bruce Lindsay
Twenty years after the legendary Loose Tubes played its final gigs, Dancing On Frith Street, a live album taken from those valedictory performances at London's Ronnie Scott's Club in September 1990, offers a chance for jazz fans of a certain age to reminisce, and an opportunity for those who missed the band's performances the first time ...
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