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Results for "Mark Helias"
Maciej Obara Quartet: Dominik Wania/Ole Morten Vågan/Gard Nilssen: Unloved
by Karl Ackermann
A distinct vernacular, unabashedly quixotic lyricism and an authoritative style of playing are among the notable characteristics that define Maciej Obara. The Polish saxophonist and composer had performed with Tomasz Stańko in the trumpeter's New Balladyna Quartet" project and he has recorded with John Lindberg, Ralph Alessi, Mark Helias and Nasheet Waits. Obara was also on ...
Mauro Bardusco - Direttore Artistico di Jazz & Wine Of Peace Festival
by Neri Pollastri
Il festival Jazz & Wine of Peace di Cormòns, in provincia di Gorizia, è una delle rassegne nazionali di maggior successo, cresciuto negli ultimi anni a dismisura certo anche grazie all'unione degli spettacoli con il vino -Cormòns si trova nel Collio Friulano, ove si producono alcuni dei migliori bianchi d'Italia -ma in primo luogo in virtù ...
Basilio Sulis: Ai Confini tra Sardegna e Jazz
by Paolo Peviani
Basilio Sulis, storico direttore artistico del festival Ai Confini tra Sardegna e Jazz, è deceduto questa mattina, 11 Novembre 2020. Visionario e anticonformista, ironico e penetrante, appassionato e al tempo stesso lucidamente disincantato, era un acuto osservatore dei fenomeni musicali, culturali, sociali. Lo ricordiamo ripubblicando questa intervista, raccolta nel corso dell'edizione 2017 del ...
BassDrumBone and the New Haven Jazz Renaissance
by Daniel Barbiero
When they first began playing together in New Haven, Connecticut in 1977, the trio BassDrumBone--bassist Mark Helias, percussionist Gerry Hemingway and trombonist Ray Anderson--were called OAHSPE. The name, which Anderson recalls having heard in Seattle from a source he understood to be Native American, is supposed to mean sky earth and spirit." It is coincidentally also ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Troy Dostert
When you think about it, it's not that hard to see the affinity between soprano saxophonist Jane Ira Bloom and Emily Dickinson. Despite their fame coming from two different artistic worlds (although not completely different, as it turns out, as Dickinson was apparently a talented pianist), they do have a good deal in common. Bloom is ...
Five Women VIII – Alma Micic; Jane Ira Bloom; Laura Ainsworth; Abelita Mateus; Tash Sultana
by C. Michael Bailey
Alma Micic That Old Feeling Whaling City Records 2017 Serbian vocalist Alma Micic's 2014 Tonight (CTA Records) was a welcome addition to the jazz vocals discography because of its bold repertoire and compelling performance. Micic returns with a decidedly more focused and refined recording that mixes the new and old with ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Roger Farbey
Jane Ira Bloom, winner of the 65th Annual Downbeat Critics Poll Winners (2017) award in the soprano saxophone category, took as her inspiration for this recording, the writings of nineteenth century America poet Emily Dickinson. Such was her admiration for the poet that she composed the music for this double CD as a lyrical paean, made ...
Time in Jazz compie trent'anni
by Libero Farnè
Time in Jazz 2017 Berchidda e altri comuni 8-16.8.2017 Il testo scritto quest'anno da Paolo Fresu sul programma del Festival non voleva essere tanto una presentazione delle scelte artistiche della trentesima edizione di Time in Jazz, quanto piuttosto un riepilogo in tono estremamente poetico degli obiettivi e criteri in ...
Quinsin Nachoff: Quinsin Nachoff's Ethereal Trio
by Mark Corroto
It's interesting how modern jazz performers come to the music from very different circumstances than those of players of bygone eras. Instead of learning their craft in a bar or bagnio, they went to a conservatory to sharpen their chops. What they lack in perceived street-smarts (the outdated 1950s hipster delusion of jazzman as junkie), they ...
Francesco Massaro
by Vincenzo Roggero
1. Dans les arbres, Phosphorescence (Hubro Music, 2017) Terzo album di questo meraviglioso gruppo (Xavier Charles, Ivar Grydeland, Christian Wallumrød ed Ingar Zach) che produce una musica diafana, eterea ma allo stesso tempo ruvida e materica. Un universo sonoro del tutto particolare nel quale la mimesi timbrica e la totale assenza di sviluppo narrativo ...





