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Erik Friedlander's Throw a Glass: Artemisia
by Giuseppe Segala
Erik Friedlander ci aveva deliziato nel 2015 con la pubblicazione di Oscalypso, dedicato a Oscar Pettiford. In quell'occasione avevamo apprezzato l'abbinamento del suo violoncello al sax tenore di Michael Blake, particolarmente riuscito. Ora, con questo Artemisia, Friedlander si presenta, sempre in quartetto, affiancato dal pianoforte di Uri Caine, altro musicista la cui duttilità impavida è in ...
Erik Friedlander throws a glass of absinthe, and more new releases
by Ludovico Granvassu
This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture “Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums. And, of course, more new releases! Playlist ...
Jazz & Wine Of Peace Festival 2017
by Neri Pollastri
Jazz & Wine of Peace Festival Cormòns (GO) Teatro Comunale di Cormòns e varie sedi nel Collio e in Slovenia 24-20.10.2017 Arrivava all'edizione numero venti il Jazz & Wine of Peace di Cormòns, che ha celebrato l'avvenimento con un disco, un libro (non solo) di fotografie (dei quali parliamo ...
Maciej Obara Quartet: Dominik Wania/Ole Morten Vågan/Gard Nilssen: Unloved
by Karl Ackermann
A distinct vernacular, unabashedly quixotic lyricism and an authoritative style of playing are among the notable characteristics that define Maciej Obara. The Polish saxophonist and composer had performed with Tomasz Stańko in the trumpeter's “New Balladyna Quartet" project and he has recorded with John Lindberg, Ralph Alessi, Mark Helias and Nasheet Waits. Obara was also on ...
Mauro Bardusco - Direttore Artistico di Jazz & Wine Of Peace Festival
by Neri Pollastri
Il festival Jazz & Wine of Peace di Cormòns, in provincia di Gorizia, è una delle rassegne nazionali di maggior successo, cresciuto negli ultimi anni a dismisura certo anche grazie all'unione degli spettacoli con il vino -Cormòns si trova nel Collio Friulano, ove si producono alcuni dei migliori bianchi d'Italia -ma in primo luogo in virtù ...
Basilio Sulis: Ai Confini tra Sardegna e Jazz
by Paolo Peviani
Basilio Sulis, storico direttore artistico del festival Ai Confini tra Sardegna e Jazz, è deceduto questa mattina, 11 Novembre 2020. Visionario e anticonformista, ironico e penetrante, appassionato e al tempo stesso lucidamente disincantato, era un acuto osservatore dei fenomeni musicali, culturali, sociali. Lo ricordiamo ripubblicando questa intervista, raccolta nel corso dell'edizione 2017 del ...
BassDrumBone and the New Haven Jazz Renaissance
by Daniel Barbiero
When they first began playing together in New Haven, Connecticut in 1977, the trio BassDrumBone--bassist Mark Helias, percussionist Gerry Hemingway and trombonist Ray Anderson--were called OAHSPE. The name, which Anderson recalls having heard in Seattle from a source he understood to be Native American, is supposed to mean “sky earth and spirit." It is coincidentally also ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Troy Dostert
When you think about it, it's not that hard to see the affinity between soprano saxophonist Jane Ira Bloom and Emily Dickinson. Despite their fame coming from two different artistic worlds (although not completely different, as it turns out, as Dickinson was apparently a talented pianist), they do have a good deal in common. Bloom is ...
Five Women VIII – Alma Micic; Jane Ira Bloom; Laura Ainsworth; Abelita Mateus; Tash Sultana
by C. Michael Bailey
Alma Micic That Old Feeling Whaling City Records 2017 Serbian vocalist Alma Micic's 2014 Tonight (CTA Records) was a welcome addition to the jazz vocals discography because of its bold repertoire and compelling performance. Micic returns with a decidedly more focused and refined recording that mixes the new and old with ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Roger Farbey
Jane Ira Bloom, winner of the 65th Annual Downbeat Critics Poll Winners (2017) award in the soprano saxophone category, took as her inspiration for this recording, the writings of nineteenth century America poet Emily Dickinson. Such was her admiration for the poet that she composed the music for this double CD as a lyrical paean, made ...
