Results for "Mark Gross"

Mark Gross

Mark Gross swings and sings with soul and rhythm along today's jazz vanguard. He constantly pushes the music forward, while staying true to the elements of the classic sound. Mark Gross has recorded on over 80 notable jazz recording, including 2 GRAMMY AWARD winning projects by the Dave Holland Big Band - 'What Goes Around' on ECM Records, and 'Overtime' on Dare 2 Records. Mark’s recordings 'Preach Daddy' on King Records and 'Riddle of the Sphinx' on J Curve Record and 'Blackside' on Jazz Legacy Productions have all received rave reviews." “As record concepts go, 'Riddle of the Sphinx' is one of the most clever to come down the pike...Mark Gross is a sax man deserving wider attention who is blessed with a rich, pure tone...Clearly one of the orders of the day for jazz album projects is the conceptual approach....he has successfully plotted and delivered this course, arriving at a package that is fresh, original, and served up by a cohesive band of fine players. Could we ask for anything more?" Willard Jenkins-regular contributor to Jazz Times, Downbeat, and Jazz Report Magazine "Gross is a new and powerful alto sax player who is a Cannonball type player

Still I Rise

By DERRICK GARDNER

Label: Impact Jazz
Released: 2020
Track listing: Push Come da Shove; Still I Rise; Soulful Brother Gelispie; Melody for Trayvon; Blues a la Burgess; 8 Ball, Side Pocket; Heavens to Murgatroyd!

Derrick Gardner & The Big dig! Band: Still I Rise

By JACK BOWERS

Trumpeter Derrick Gardner, a Chicagoan who has performed around the world with a who's who of jazz luminaries from Count Basie, Dizzy Gillespie and Frank Foster to Nancy Wilson, Tony Bennett and Harry Connick Jr., to name only a few, traveled to Winnipeg, Canada, to assemble and record his Big Dig! Band, several sizes removed from ...

Rina Yamazaki: Conversations with a Rising Star

By HRAYR ATTARIAN

Born in Japan, up and coming pianist Rina Yamazaki has lived in in the USA since she was accepted at Boston's prestigious Berklee College of Music on a full scholarship in 2015. Both before moving to the US and after Yamazaki has earned a number of well-deserved accolades for her high-level musicianship. From receiving the Jazz ...

Ed Neumeister & His NeuHat Ensemble: Wake Up Call

By JACK BOWERS

If you are one of those restless wanderers who is searching high and low for easy listening, look elsewhere. If, on the other hand, you are drawn to music that is more or less off the beaten path and challenges your mind and spirit, composer / arranger / trombonist Ed Neumeister's new album may well serve ...

Myles Wright: Manhattan EP

By TROY DOSTERT

For evidence that the big-band tradition is alive and well, look no further than this release from composer and arranger Myles Wright. His second self-produced recording after 2015's LA EP, he's shifted his focus to the other coast this time, and with a top-flight crew of New York musicians to perform four ambitious, infectious charts, it's ...

Three Days At The Barber Shop, Part 3

By DAVID A. ORTHMANN

Rehearsal | Part 1 | Part 2 | Part 3 When I walk into the live room, a little early, on Day 3, Gillespie has already swapped out the piano for a Hammond B-3 organ and Leslie speaker. Three boom mics are positioned in the area closest to the window to the control room. ...

Dick Oatts / Mats Holmquist New York Jazz Orchestra: A Tribute to Herbie +1

By JACK BOWERS

A Tribute to Herbie +1 is Swedish-born composer / arranger Mats Holmquist's third “tribute" album, following well-received salutes to Chick Corea (2003) and Wayne Shorter (2012). For his encomium to pianist / composer Herbie Hancock, Holmquist called upon two of New York City's most respected sidemen, alto saxophonist Dick Oatts and trombonist John Mosca, known and ...

Blackside

Featuring the music of Mark Gross
Duration: 5:13

Buster Williams: Take No Prisoners

By GEORGE COLLIGAN

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I first heard bassist Buster Williams on a Herbie Hancock recording called VSOP Live (Columbia, 1976). I remember thinking that their version of Hancock's “Toys" was pretty wild stuff. In addition to hearing him on some other recordings like Hancock's Sextant (Columbia, ...