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Piotr Turkiewicz: Putting Wroclaw On The Jazz Map

by Ian Patterson
At just thirty seven years of age it's hard to believe that Piotr Turkiewicz has been pulling the strings of Jazztopad for almost a decade already. The festival, staged each November in the Polish city of Wroclaw, was already a few years old when Turkiewicz became Artistic Director in 2008, but under the canny stewardship of ...
38th International Jazzfestival Saalfelden

by Enrico Bettinello
International Jazzfestival of Saalfelden Saalfelden, AustriaAugust 24-27, 2017 Once again, set against the amazing backdrop of the Austrian Alps, the International Jazzfestival of Saalfelden offered a unique perspective on the most adventurous jazz from around the world, as it does since its inception in the 1970s. It is no coincidence ...
Jazzfestival Saalfelden 2017

by Stefano Merighi
Fotografare lo stato dell'arte nell'ambito del jazz e delle musiche limitrofe è compito che il festival di Saalfelden svolge assai bene ormai da decenni. Non solo la rassegna austriaca non rinuncia ad alcuna delle sue prerogative estetiche (apertura massima rispetto agli stili contemporanei, volontà di anticipare tendenze, capacità di realizzare prime esecuzioni mondiali), ma anzi, trova ...
Brian Landrus: Generations

by Jerome Wilson
With Generations baritone saxophonist Brian Landrus has created an ambitious set of music for full orchestra that is based in jazz but also touches on classical music, hip hop and reggae, giving prominent position to instruments like harp and vibraphone to give his ensemble an airy, spacious sound.It all begins with the five-movement Jeru ...
Yelena Eckemoff: In The Shadow Of A Cloud

by John Kelman
She may rarely perform live in this context, but Yelena Eckemoff has managed to build, over just seven years and a mammoth eleven releases--including her second release of 2017, In the Shadow of a Cloud--a loyal and growing following in the jazz world. It's all the more remarkable for a multi-talented expat Russian pianist who began ...
Yelena Eckemoff Quartet: Leaving Everything Behind

by Neri Pollastri
Continua a mostrare gusto, classe e capacità di scegliersi i compagni di avventura l'eclettica pianista russo-americana Yelena Eckemoff, la quale dopo album con partner nordeuropei -Glass Songs, in trio, e Everblue, in quartetto -realizza adesso questo lavoro con musicisti statunitensi. Rispetto al precedente CD cambia drasticamente anche il primo strumento solista -là il sassofono ...
Ned Rothenberg, Mark Feldman, Sylvie Courvoisier: In Cahoots

by Alberto Bazzurro
Inciso in studio a Brooklyn nel giugno 2014, questo ragguardevole album fa registrare di fatto l'inserimento di Ned Rothenberg e dei suoi fiati nel rodatissimo duo (anche nel privato, visto che i due sono marito e moglie) formato da Mark Feldman e Sylvie Courvoisier. I risultati, come accennato, sono del tutto degni di nota.
Sylvie Courvoisier/Mary Halvorson: Crop Circles

by Mark Corroto
Crop Circles is the inevitable meeting of two remarkable female artists. Both pianist Sylvie Courvoisier and guitarist Mary Halvorson have distinguished careers. Courvoisier in her quartet, her large ensemble, and Mephista (a trio with Ikue Mori and Susie Ibarra). Halvorson leads a trio, quintet, septet, octet and is a member multiple bands including Thumbscrew, Anthony Braxton's ...
Satoko Fujii: Invisible Hand

by Budd Kopman
Pianist and composer Satoko Fujii, otherwise known by the cognoscenti as the Ellington of free jazz" and musical citizen of the world," has produced an enormous body of work as a leader, co-leader or sideman that now numbers around 80 CDs in many configurations ranging from solo to big band. After spending even a short time ...
John Abercrombie Quartet: Up and Coming

by Mark Sullivan
Up and Coming is the second release by this version of the John Abercrombie Quartet, following 39 Steps (ECM, 2013). It further cements the longtime relationship between Abercrombie and pianist Marc Copland, which extends back to when both were playing in Chico Hamilton's band in the early '70s (Copland was still playing alto saxophone then, before ...