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Wolfgang Schalk: Word of Ear
by Mark F. Turner
As if to quietly utter “enough with talking about the music...," guitarist Wolfgang Schalk gets to the heart of the matter with Word of Ear and lets his playing speak loud and clear. This is his sixth recording as a leader and he continues to reveal expressive phrasing and piercing solos on hollow body electric and ...
Lionel Loueke: Heritage
by Mark F. Turner
Lionel Loueke's two previous Blue Note recordings--Karibu (2008) and Mwaliko (2010)--displayed his usual virtuosity as a guitarist/vocalist who links his West African Beninese musical roots with a modernist jazz outlook that is uniquely his own. On Heritage, he's assembled new musicians and hooks up with innovative pianist Robert Glasper, who coproduced and performs on the album. ...
Miguel Zenon / Laurent Coq: Rayuela
by Mark F. Turner
Inspired by Julio Cortáza's sweeping and influential novel, Rayuela (Pantheon, 1963), pianist Laurent Coq and saxophonist Miguel Zenón transform parts of the Argentinean writer's famous work into a memorable jazz release. Written in Spanish, and published in 1963, the title literally means “Hopscotch." The text has been described as an “introspective stream-of-consciousness" and a “masterpiece of ...
Tohpati Bertiga: Riot
by Mark F. Turner
In contrast to certain widely recognized guitar “gods," there are many great players who are less recognized. This may be the case for guitarist Tohpati Ario Hutomo, simply known as Tohpati. He's an extraordinary player who has performed with exciting Indonesian band simakDialog. He also released the noteworthy Save The Planet (MoonJune, 2010), with his Ethnomission ...
Branford Marsalis Quartet: Four MFs Playin' Tunes
by Mark F. Turner
The departure of the Branford Marsalis quartet's longtime drummer, Jeff “Tain" Watts, left a hole that would not easily be filled and subsequently sparked the excellent 2011 duo release Songs of Mirth and Melancholy (Marsalis Music) featuring Marsalis and pianist Joey Calderazzo. But that percussive void has been filled with a transfusion of new blood from ...
Luis Perdomo: The Infancia Project
by Mark F. Turner
Pianist Luis Perdomo's presence is marked by attributes that include lyricism, depth and adaptability. The onetime member of saxophonist Ravi Coltrane's quartet has worked on many releases for artists like trombonist Steve Turre and saxophonist Miguel Zenón. His visibility is coming more into focus with The Infancia Project, which the New York-based pianist avoided making for ...
Dafnis Prieto: Proverb Trio
by Mark F. Turner
Walking a tightrope without a safety net is what Proverb Trio is all about. The recording was entirely improvised, and recorded in six hours by percussionist/composer Dafnis Prieto , keyboardist Jason Lindner and Grammy-nominated vocalist/emcee Kokayi (Carl Walker), who have performed together since 2009. Prieto--a one-time member of reedman Henry Threadgill's Make a Move and Zooid ...
The Worst Pop Band Ever: Sometime Things Go Wrong (and other songs we shouldn't play)
by Mark F. Turner
Recorded live at Cory Weed's Cellar Jazz Club in Vancouver, The Worst Pop Band Ever's Sometime Things Go Wrong (and other songs we shouldn't play) is music for people, whether they dig jazz or not. The group delivers a set that cares less about genres, as heard in its breezy cover of Sly and the Family ...
Fly: Year of the Snake
by Mark F. Turner
While there are numerous jazz trios, few leave a lasting impression. This is not the case for Fly, consisting of younger but fully established jazz artists-- saxophonist extraordinaire Mark Turner and his equally talented cohorts, bassist Larry Grenadier and drummer Jeff Ballard. At just over ten minutes, the episodic “Kingston," from the trio's ...
Ben Tyree: Thoughtform Variations
by Mark F. Turner
In stark contrast to the psychedelic funk rock of re: Vision (2010, Sonic Architectures), Brooklyn-based guitarist Ben Tyree eschews pyrotechnic effects and performs literally naked on his solo acoustic debut, Thoughtform Variations, showing enough imagination and finger-picking stylizations to satisfy both six-string enthusiasts and casual listeners. These original pieces were conceived eight years ...
