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Tim Berne's Snakeoil: You've Been Watching Me
by Mark Corroto
The music of saxophonist Tim Berne has invariably raised the question: where have you been? His early self-released sessions (collected in the Empire Box (Screwgun, 1999)) from the late-1970s and early 80s gave no quarter to the neo-conservative jazz movement. Signed by Columbia Records (what were they thinking?) he forged ahead with his incendiary vision, only ...
Backback: III
by Mark Corroto
The initial impression of the jazz/rock trio Backback is that they take their cues form the Boston 90s indie band Morphine because the trio features the baritone saxophone of Marc De Maeseneer in most of their compositions. Indeed, III opens with the blues/funk/rocker “Joe" that riffs off of the deep grooves of rock. The trio is ...
Jon Lundbom & Big Five Chord: Jeremiah
by Mark Corroto
The seventh album by guitarist Jon Lundbom and his septet Big Five Chord leaves little room for fence sitters. His music, like fellow band members Jon Irabagon and Moppa Elliott of Mostly Other People Do The Killing, walks the razor's edge between clamorous and cultured. It's comfort is often the discombobulation. That said, isn't that what ...
Kirk Knuffke: Arms & Hands
by Mark Corroto
Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles--green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue--I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come ...
Agustí Fernández / Niels Lyhne Løkkegaard / Bjørn Heebøll: Amaranth
by Mark Corroto
To call Spanish pianist Agustí Fernández an inside/outside player isn't to suggest that he dabbles in both straight-ahead and free jazz. As a free, improvising pianist, he is one of the most sensitive players in today's scene. No, calling Fernández an inside/outside player literally means he can often be found playing his instrument both from the ...
Sweet Defeat: Sweet Defeat
by Mark Corroto
If film director Jim Jarmusch had been born in Ghent, Belgium, instead of Cuyahoga Falls, Ohio, he probably would have used the trio Sweet Defeat to score his early movies instead of John Lurie. This Belgian trio of multi-reed player Tom Wouters (Flat Earth Society), guitarist Bert Dockx, and cellist Lode Vercampt create a sort of ...
Merzbow/Mats Gustafsson/Balázs Pándi/Thurston Moore: Cuts of Guilt, Cuts Deeper
by Mark Corroto
The Cuts Quartet is a sort of assembled supergroup. But we are not talking Traveling Wilburys or Audioslave here. Groups where the sum is certainly less than the parts. No, the amalgam of Japanese noise artist Merzbow (aka Masami Akita), Swedish saxophonist Mats Gustafsson (Fire! Orchestra, The Thing), American guitarist Thurston Moore (Sonic Youth), and Hungarian ...
Chris Lightcap's Bigmouth: Epicenter
by Mark Corroto
Chris Lightcap is a bassist's bassist. As a sideman to leaders such as Regina Carter, Matt Wilson, Joe Morris, Marc Ribot, and Craig Taborn, his rock-solid timekeeping can be quite inconspicuous. He is a sort of steadfast superglue that leaders and composers hold in high regard. As a leader and composer, there is another ...
Detroit Bop Quintet: Two Birds
by Mark Corroto
On December 21st 1947 Charlie Parker, Miles Davis, Duke Jordan, Tommy Potter, and Max Roach recorded four Parker compositions for Savoy at United Sound Systems recording studio in Detroit, Michigan. Parker's Quintet was in town for two weeks, performing and backing Sarah Vaughan at the El Sino Club. It appears that Parker hustled to lay down ...
Jeff Cosgrove/Frank Kimbrough/Martin Wind: Conversations With Owls
by Mark Corroto
The opening track to drummer Jeff Cosgrove's third release under his own name is The Owl, listening to his composition brings to mind poet Carl Sandburg's words, “The fog comes/on little cat feet/It sits looking/over harbor and city/on silent haunches/and then moves on." The composition is not what you might expect from a drummer led recording. ...
