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Eric Revis Trio: Crowded Solitudes
by Mark Corroto
Listening to a recording, one can assume, as opposed to attending a performance, involves just one of your five senses, hearing. The concert has of course sight, but something about Eric Revis' Crowded Solitudes suggests other senses to consider. This trio recording follows City Of Asylum (Clean Feed, 2013). Revis has retained pianist Kris Davis, but ...
Mette Rasmussen/Paul Flaherty/Chris Corsano: Star-Spangled Voltage
by Mark Corroto
I prefer the moniker 'fire music' over the descriptor 'free jazz.' It does a better job illustrating what improvising musicians achieve when they venture into the driving rhythms and forward momentum of this music. Good free jazz sounds like a bonfire. Great free jazz sounds, and feels like a barely contained wildfire. This first meeting between ...
Five By Five - More Love From Ivo Perelman
by Mark Corroto
2015 saw six releases by tenor saxophonist Ivo Perelman. It's early in 2016, and we already have five new releases. At this pace, one can only hope for five more. Certainly, noting the combinations of players presented here and the high level of improvisation, there could easily be ten more sessions with ten different permutations. Or, ...
Benjamin Duboc/Julien Desprez/Julien Loutelier: Tournesol
by Mark Corroto
The free improvisations by Benjamin Duboc, Julien Desprez, and Julien Loutelier on Tournesol or Sunflower" bring to mind the lyrics to Love Dance," a minor crossover hit for George Benson in 1980: From too much talk to loving touches/Love touches when pure emotion takes the moment/We take the chance/Turn up the quiet, love wants to dance." ...
Mike Parker's Trio Theory: Alive Out There
by Mark Corroto
Fans of post-apocalyptic stories need not worry about whether they still will have rock music once the electric grids go down. That is, if we can turn the clocks back to the days when jazz musicians were rockstars. Perhaps the supposition of the band, Mike Parker's Trio Theory, is just that. Kill all the living dead, ...
Noah Preminger: Dark Was The Night, Cold Was The Ground
by Mark Corroto
Saxophonist Noah Preminger got this backwards. His latest release, Dark Was The Night, Cold Was The Ground should have preceded the 2015 recording Pivot: Live At The 55 Bar. Same quartet of trumpeter Jason Palmer, bassist Kim Cass, and drummer Ian Froman. Same theme, the Delta Blues. The reverse order observation is a historical one. Where ...
Yves Theiler Trio: Dance In A Triangle
by Mark Corroto
Although a piano trio has a leader, the better ones behave as an equilateral triangle. That is, they go Dutch." In the case of the Yves Theiler Trio, we could say the music on Dance In A Triangle goes Swiss." The pianist, Yves Theiler, composed all the music here, but it is improbable that ...
New Zion w/ Cyro Baptista: Sunshine Seas
by Mark Corroto
The third release by Jamie Saft's New Zion Trio expands the concepts he launched with his previous efforts, Fight Against Babylon (Veal Records, 2011), and Chaliwa (Veal Records, 2013). His reggae/dub-meets-piano trio explorations expand with the inclusion of Brazilian percussionist Cyro Baptista. This rhythm trance music casts a much larger net, one of universal spirituality, beyond physical matter ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Twenty One 4Tet: Live At Zaal 100
by Mark Corroto
I'm assuming that the Twenty One 4Tet recording Live At Zaal was conceived as a one-off deal, with Portuguese trumpeter Luís Vicente visiting Amsterdam-based players John Dikeman, Wilbert De Joode and Onno Govaert. This concert, from September 2015, finds Vicente combining his impressive craftsmanship with three like-minded players. Then again, it might be just ...


