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Kali. Z. Fasteau: Intuit
by Mark Corroto
To pigeonhole a musician is to ghettoize a music. But we all do it. Yes, Kali Z. Fasteau is a pianist, but also a drummer, a cellist and a flutist. From her twenty plus recordings she refuses to be fixed with a descriptor. She also performs on the nai, kaval and shakuhachi flutes, is a vocalist, ...
Bobby Bradford/Hafez Modirzadeh/Mark Dresser/Alex Cline: Live At The Open Gate
by Mark Corroto
Live At The Open Gate by the quartet of Bobby Bradford, Hafez Modirzadeh, Mark Dresser, and Alex Cline shouts West Coast" from the drop of the stylus on this, a limited edition (of 500) LP. It's not because the session is from Center for the Arts in Los Angeles 2013, it's because the inspiration here emanates ...
Mats Gustafsson: MG50 Peace & Fire
by Mark Corroto
Mats Gustafsson at fifty. Name another artist who has had this significant and widespread effect on jazz, noise, free improvisation, alternative rock, electronica, and free jazz. Besides John Zorn, that pool is quite shallow. Gustafsson's music seems to attract innovative players into imaginative situations. If you are a fan, this 50th birthday celebration recorded in October, ...
Marc Ribot: Live In Tokyo
by Mark Corroto
Art be damned, let's dance. If you are of a certain age, let's say the baby boomer generation, then the vintage sounds of Philadelphia soul are imprinted on your brain. The 1970's began with The O'Jays Back Stabbers," which you might have heard on Dick Clark's American Bandstand, a show that originated in Philly, or perhaps ...
Greg Ward & 10 Tongues: Touch My Beloved's Thought
by Mark Corroto
To describe saxophonist Greg Ward's Touch My Beloved's Thought as his magnum opus is to impede his development as a composer. Let's just say for many a jazz artist, if this recording were included in their discography, it would be their signature piece. For Ward, it just represents the possibilities. The backstory to this ...
Liquid Trio: Marianne
by Mark Corroto
The free jazz of the Liquid Trio might best be described as quicksilver, a sort of liquified metal. In the context of music making, their ability to move and change shape instantly makes them difficult to contain. Marianne, the follow up to Primer Dia i Última Nit (Sirulita, 2013), is the second album released by this ...
Marc Riordan/Tim Daisy: Joyride
by Mark Corroto
Critics often speak of the chemistry between two musicians. Why? Because, it is so very easy to toss out this abstract, non-quantifiable concept. Those who agree, nod. Those who differ, well they have nothing on which to challenge your statement. But here I go, Tim Daisy and Marc Riordan showcase a stellar musical affinity on their ...
Lucio Capece/Kevin Drumm/Radu Malfatti : The Volume Surrounding The Task
by Mark Corroto
Let this recording, The Volume Surrounding The Task, be your guide to Buddhist meditation. While the current trend in corporate America (and Europe for that matter) is to foist meditation practices upon employees to gain a competitive advantage, let's head in another direction. CEOs want to sharpen workers' concentration, but minimalist improvisation like this conjured by ...
Dave Rempis/Joshua Abrams/Avreeayl Ra + Jim Baker: Perihelion
by Mark Corroto
These days, it's a luxury to have a working jazz band. It's funny to think in those terms, isn't it? Sure, that was a nice record, you think. But modern musicians, particularly jazz musician often play in multiple ensembles, in theatre productions, teach music lessons privately, and curate local music series. These things are often accomplished ...
Garrison Fewell/Gianni Mimmo: Flawless Dust
by Mark Corroto
With the passing of guitarist Garrison Fewell in the summer of 2015, the jazz world lost an educator, author and an extraordinary talent. Now that we can no longer exchange emails, or receive a music lesson from him, we still can explore his thoughts, via a fascinating book Outside Music, Inside Voices (Saturn University Press, 2014), ...


