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John Butcher/John Edwards/Mark Sanders: Last Dream of the Morning
by Mark Corroto
For good free improvisation three things are required. First, musicians who are masters of their instruments, next, players who have created their own language, and, finally, performers who are simpatico. The first prerequisite is obvious, unless of course you were able to appreciate Ornette Coleman when he took up the violin without first learning the instrument. ...
Matt Wilson: Honey And Salt
by Mark Corroto
We will forgive you if you believed drummer Matt Wilson's previous recording Beginning Of A Memory (Palmetto, 2016) was a summing-up of his career to date. On that recording he invited just about every musician he has worked with as a leader. The conspicuous absence was, of course, Dewey Redman, who had passed on in 2006. ...
Konstrukt: L.O.T.U.S.
by Mark Corroto
With each new Konstrukt release I get anxious, wondering just where these Istanbul musicians, and current bearers of the free jazz banner, are headed next? To our Western ears, they seemingly arrived from nowhere. Turkish free jazz, really? But it didn't take long before we became familiar with names like guitarist Umut Çağlar, saxophonist Korhan Futacı, ...
Eric Revis: Sing Me Some Cry
by Mark Corroto
Only a bassist like Eric Revis with a background in the origins of jazz (that is, New Orleans), hardcore, funk, and post-bop can pull off such a big project as Sing Me Some Cry. Not big as in impenetrable, but circus tent big--assimilating all his experiences. From Betty Carter and Lionel Hampton to his long-standing tenure ...
James Blood Ulmer: Baby Talk
by Mark Corroto
It was a predestined meeting. This collaboration between the legendary guitarist James Blood Ulmer and the band The Thing. Ulmer, who cut his teeth with the soul jazz organists Hank Marr, Larry Young and Big John Patton before collaborating with Ornette Coleman's electric free jazz/funk harmolodic music, expanded upon Coleman's ideas, incorporating rock music with players ...
Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Sven-Åke Johansson Blue for a Moment NI VU NI CONNU 2017 In conjunction with the film of the same name, the LP boxset Blue for a Moment was prepared as a limited release (250 signed copies) of Swedish musician Sven-Åke Johansson's music. It is in no way a complete retrospective. ...
Quinsin Nachoff: Quinsin Nachoff's Ethereal Trio
by Mark Corroto
It's interesting how modern jazz performers come to the music from very different circumstances than those of players of bygone eras. Instead of learning their craft in a bar or bagnio, they went to a conservatory to sharpen their chops. What they lack in perceived street-smarts (the outdated 1950s hipster delusion of jazzman as junkie), they ...
Martin Küchen: The Spirit Of Piteşti
by Mark Corroto
Sometimes a scene in a movie or a book persists in the mind long after being viewed or read. Sometimes an aroma can conjure a feeling from the past. Memory is often connected to emotion in an unconscious manner. Substitute sound for scent and the passions can be equally strong. The Swedish/Norwegian trio of saxophonist Martin ...
Per Gärdin/Pedro Lopes/Rodrigo Pinheiro: History Of The Lisbon Chaplaincy
by Mark Corroto
It's interesting just how much place influences a recording. Was the session captured in a hermetically sealed studio or a noisy jazz club? Is the sound engineered or merely captured? And how does the architecture of the recording space effect the sound? Sound experimentalist Pauline Oliveros often recorded in an empty water cistern, timing notes against ...
Rosario Bonaccorso: A Beautiful Story
by Mark Corroto
What does Theodore Roosevelt have do do with jazz? The saying “speak softly and carry a big stick; you will go far," is attributed to the American President (1901-1909). What isn't well known is that he borrowed the proverb from West Africa. Which brings us full circle to African Americans, and, of course, jazz. That same ...
