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James Brandon Lewis and Chad Taylor: Radiant Imprints
by Mark Corroto
When saxophonist James Brandon Lewis released Divine Travels (Okeh, 2014) with bassist William Parker and drummer Gerald Cleaver, the jazz world went from “who is this guy?" to “make space at the table," because listeners had discovered a truly distinctive voice. After that came Days Of Freeman (Okeh, 2015) with Jamaaladeen Tacuma and Rudy Royston and ...
Evan Parker / Barry Guy / Paul Lytton: Music For David Mossman / Live At Vortex London
by Mark Corroto
Spinning the latest release by the trio of Evan Parker, Barry Guy, and Paul Lytton brings to mind The Rolling Stones. Like the Stones, these musicians have been performing together since the 1960s, and seemingly every time they perform, they conjure a crossfire hurricane. This 2016 live performance at London's Club Vortex is no exception.
Alessandro Bosetti: The Notebooks
by Mark Corroto
Listening to the work of Alessandro Bosetti reminds me of a friend I have who suffered a lengthy bout with sleeplessness. It wasn't so much the insomnia that tormented him but a pop song (specifically Engelbert Humperdinck's version of “Quando, Quando, Quando") that was stuck in his head. Playing on an endless loop, he feared psychosis. ...
Kjetil Møster: Ran Do
by Mark Corroto
More than in any other American jazz scene, the musicians of Chicago have embraced and continue to embrace their colleagues in Europe and the UK. In the 1990s the Chicagoan Ken Vandermark began a long-standing association with Mats Gustafsson (Sweden) and Peter Brotzmann (Germany). And Hamid Drake has been crisscrossing the Atlantic for ages. These connections ...
Pericopes: What What
by Mark Corroto
The sixth release from the duo Pericopes asks the listener to consider the scientific term rarefaction, or the reduction of an item's density. Like the rarefied air in the upper atmosphere or the spread of ocean waves as they reach the shore, their music is the converse of compression. This reduction is also evident in What ...
Anthony Braxton: Sextet (Parker) 1993
by Mark Corroto
Is the music of Anthony Braxton impenetrable? Frankly yes, and absolutely not. There are entire wings of his musical house, for instance his Trillium R operas, Echo Echo Mirror House, and Ghost Trance Music, that listeners find untraversable. Some folks cannot reconcile one approach with another or choose to listen solely to one Braxton musical system, ...
Raw Materials: Overneath
by Mark Corroto
Let's just say I'm not buying it. The liner notes to Raw Materials by the collective Overneath claim, that except for one piece, all the music on the recording was spontaneously improvised. Can't be, the music is too uncluttered. This quintet is a combination of longtime Northwest collaborators , Dave Leslie, Mike Curtis, and ...
While We Still Have Bodies: While We Still Have Bodies
by Mark Corroto
Has music always been about making something from nothing? Before the invention of instruments, birds sang and nature kept time. Jimi reminded us, “and the wind cried Mary." Before notes on a page, there was just blank paper, after notes, came improvisation and things got interesting. Class dismissed.I'm betting the quartet While We Still ...
Shakers n' Bakers: Heart Love
by Mark Corroto
For most of us it is, and always has been, red states and blue states. I'm talking us vs. them, liberals and conservatives, or my ball team and yours. Same goes for music. The moldy figs vs. beboppers and later, neocons vs. avant-gardists. Yet, some musicians like Albert Ayler, as a radical departure from the norm, ...
Michael Cox: Compassion
by Mark Corroto
Compassion by saxophonist Michael Cox evokes thoughts of sausages. Specifically, how they're made and for what purpose. Think about it, have you ever had an unforgettable hot dog? No. Even if you ate one at the World Series, you could never call it memorable. That wasn't its objective. So, let's talk of cured meats. The luxury ...
