Home » Search Center » Results: Mark Corroto
Results for "Mark Corroto"
Bertrand Denzler / Antonin Gerbal: Sbatax
by Mark Corroto
With six and one-half minutes remaining in this single thirty-eight minute live tenor saxophone/drums recording, an audience member at a club in Berlin begins howling. Listeners to this recording will probably be saying to themselves, “where have you been? I've been shouting encouragement since I pressed play!" It's that kind of record. The two ...
Roscoe Mitchell: Splatter
by Mark Corroto
The special performances of saxophonist and composer Roscoe Mitchell's Conversation Series with orchestra are cause for celebration. The logistics of more than two dozen players is demanding. Add transcriptions for each instrument, rehearsals, grant writing, and securing an appropriate venue. Mitchell has traveled many miles since his debut Sound (Delmark Records, 1966) and his work in ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
Peter Brötzmann / Paul G. Smyth: Tongue In A Bell
by Mark Corroto
There are only a handful of pianists the great reedist Peter Brötzmann has worked with. Back in the Machine Gun (FMP, 1968) days it was Fred Van Hove at the keyboards. Then there was Misha Mengelberg and Alexander von Schlippenbach, plus those Berlin sessions with Cecil Taylor, and the new millennium recordings with Japanese pianist Masahiko ...
Charlie Parker: Birth Of Bebop - Celebrating Bird At 100
by Mark Corroto
Let's face it, there is absolutely nothing new to say about the music of Charlie Parker, unless (insert joke here) you happen to be Phil Schaap. Lao Tzu's quote “The flame that burns twice as bright burns half as long" is fitting. John Coltrane was 40 when he died in 1967, Eric Dolphy 36 in 1964, ...
Quin Kirchner: The Shadows and The Light
by Mark Corroto
Francis Ford Coppola's Vietnam war film, Apocalypse Now, was released in 1979. After sitting for 2 and ½ hours, a viewer might have hoped for theater management to stand at the exits to hand out pamphlets explaining what had just gone down. The conflict had ended 4 years prior, and most war movies, pre- Vietnam, were ...
Bonjintan: Dental Kafka
by Mark Corroto
The sophomore effort by Akira Sakata's quartet Bonjintan, which translates into “ordinary person" might actually be better interpreted as “egalitarian." Notice that neither the quartet's name nor the album cover mention the saxophonist's name. Like the initial, self-titled 2017 release on Sakata's Daphnia Records, Dental Kafka focuses on a quartet sound and four equal musicians improvising. ...
Jorge Roeder: El Suelo Mío
by Mark Corroto
Let's not call it pandemic music. Yes, it is a solo recording, but Jorge Roeder conceived of and recorded El Suelo Mío before this world wide pandemic. The bassist is a member of John Zorn's New Masada Quartet, Ryan Keberle's Catharsis, and Julian Lage's ensembles, to name just a few. He has a sound that is ...
Duo Baars-Buis: Moods For Roswell
by Mark Corroto
It is difficult to think of a better way of honoring the memory of trombonist Roswell Rudd than through the music of Duke Ellington and Billy Strayhorn. Rudd (1935-2017), the eternal avant-gardist, maintained a firm foundation in the jazz tradition. Even when he was working in the New York Art Quartet or collaborating with Archie Shepp ...
New York Contemporary Five: Consequences Revisited
by Mark Corroto
This 2020 reissue of the New York Contemporary Five recordings from 1963-64 can't help but draw one's attention to the social unrest occurring in America in 2020. In 1964 the riots in Harlem and Philadelphia over police brutality were followed by similar riots a few years later in Watts, Newark, Detroit, etc. In the growing civil ...
