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188

Article: Album Review

Chadbourne/Dresser/Ibarra/Morris: Pain Pen

Read "Pain Pen" reviewed by Mark Corroto


There may be no such thing as a free lunch, but there is free-jazz and Eugene Chadbourne has been one of its stars for many years. He has worked with every free jazz musician, plus Camper Van Beethoven, They Might Be Giants, and John Zorn. Likewise, Boston guitarist Joe Morris has been making waves of late ...

306

Article: Album Review

Jamie Saft: Sovlanut

Read "Sovlanut" reviewed by Mark Corroto


Keyboardist Jamie Saft’s inclusion in Tzadik records Radical Jewish Culture series is more radical than Jewish. The title Sovlanut means tolerance. From Saft’s multi-cultured Brooklyn home tolerance is the order of the day. The exploration of his Jewish-ness is through the filters of his neighborhood, which happens to be drum-n-bass and dub. Saft is the Jewish ...

194

Article: Album Review

Kevin Breit & Cyro Baptista: Supergenerous

Read "Supergenerous" reviewed by Mark Corroto


More or less I Agree Less is more. For a duo collaboration effort known as Supergenerous, less is more than enough. Canadian guitarist Kevin Breit and Brazilian percussionist Cyro Baptiste teamed with producer Craig Street (the mind behind Cassandra Wilson’s successful Blue Note albums) to tailor a minimalist jazz/country/folk/funk session. Baptiste, and Breit who supplied the ...

129

Article: Album Review

Jim Connolly & The Gove County Philharmonic: The Circus Doesn't Stop At Gove

Read "The Circus Doesn't Stop At Gove" reviewed by Mark Corroto


Just like today’s DJs and rappers, Jim Connolly’s disc opens with the crackle of a diamond needle on vinyl. The rappers use it to signify authenticity; Connolly employs scratchy sounds to set the scene, as in a play. Maybe it’s Musicman, or Oklahoma. A closer inspection reveals this play to be closer to a Jim Jarmusch ...

314

Article: Album Review

Louis Armstrong & Duke Ellington: The Great Summit: Complete Sessions

Read "The Great Summit: Complete Sessions" reviewed by Mark Corroto


Jazz fans are a lot like sports fanatics. Just as we would turn out to see the now seventy year-old Arnold Palmer shoot over par or Willie Mays play in an old timers game, we cherish the recordings of elder jazzmen. In 1961, the sixty-somethings Duke Ellington and Louis Armstrong got together for two days of ...

177

Article: Album Review

Peter Epstein Quartet: The Invisible

Read "The Invisible" reviewed by Mark Corroto


Saxophonist Peter Epstein changes sound and form as needed for the different lives he leads. In one prior life he sits in a cathedral alone, playing for the gods (see this month’s review of Solus ), in another he wears a Downtown existence in Jerry Granelli’s Badlands. Then there’s his Portuguese folk/jazz (see review of Almas), ...

165

Article: Album Review

Joel Frahm: The Navigator

Read "The Navigator" reviewed by Mark Corroto


Joel Frahm’s second disc as leader has all the trappings of a John Coltrane legacy recording. Sure that’s a heavy burden, but one he proves worthy. Like his 1999 disc Sorry, No Decaf, Frahm mines hard-bop with a self-admission (like Coltrane) that he is not comfortable on up-tempo tunes. Fine, grace not speed signifies great art. ...

213

Article: Album Review

Spaceways Incorporatd: Vandermark/Drake/McBride: Thirteen Cosmic Standards

Read "Thirteen Cosmic Standards" reviewed by Mark Corroto


With the news and financial security from receiving the MacArthur Genius Grant behind him, all eyes turn to Ken Vandermark in anticipation of his next move. The one-time Hal Russell apprentice is equally at home in free jazz settings (Caffeine), rocked-out noise bands (Flying Luttenbachers), and inside composed groups (Vandermark 5). His last effort Design In ...

102

Article: Album Review

Porterhouse Quintet: Thumbs Up little Buddy

Read "Thumbs Up little Buddy" reviewed by Mark Corroto


Sometimes a band comes along that defines a time, plants a flag as a marker of human musical evolution on this planet. The Porterhouse Quintet is just such a band, but the time is circa 1975. Porterhouse resurrects a time when fusion meant jazz/funk not jazz/rock or today’s jazz/cheese. Grover Washington’s Mister Magic was the vinyl ...

146

Article: Album Review

Lemeshev/Shepik/Scherr: Tridruga

Read "Tridruga" reviewed by Mark Corroto


Apologies to Huey Lewis, but it is indeed so very hip to be square these days. Instruments like the clarinet and accordian are making their way back into jazz today. The trio of ‘three friends’ is a translation of Tridruga and at its very hip center is accordionist Yuri Lemeshev. Guitarist Brad Shepik, a fan of ...


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