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106

Article: Album Review

Tania Gill: Bolger Station

Read "Bolger Station" reviewed by Mark Corroto


a recording that sounds uncomplicated and effortless might actually be a more difficult task than presenting an impenetrable maze of writing and arrangements. Pianist/composer Tania Gill does just that with Bolger Station, an unadorned minor classic that gets stuck in the heart, while tugging at the soul. Gill's music has an uncluttered yet sometimes ...

108

Article: Album Review

Agustí Fernández / Barry Guy / Ramón López: Morning Glory

Read "Morning Glory" reviewed by Mark Corroto


In what could easily mistaken for a release on the ECM label, Morning Glory inhabits that crisp minimalist style so familiar to producer Manfred Eicher. Surprisingly enough, this studio recording, with bonus Live In New York disc, is delivered by three of today's most zealous improvisers and outcats. Formed in 2005, the trio's previous ...

211

Article: Album Review

Alec Spiegelman / Lefteris Kordis / Thor Thorvaldsson: Bebop Trio

Read "Bebop Trio" reviewed by Mark Corroto


The theme of “walk, don't run" occurs throughout the entirety of Bebop Trio, a suite of improvisations on the sometimes pell-mell music of Herbie Nichols, Lennie Tristano, Elmo Hope, Bud Powell, George Shearing and Duke Ellington. Played by three accommodating and adaptive musicians, the familiar and frenetic becomes casual and conversant. Where Powell's “Celia" ...

177

Article: Album Review

Alessandro Bosetti: Royals

Read "Royals" reviewed by Mark Corroto


Musician/sound artist Alessandro Bosetti continues to explore the connection between speech and music, with yet another set of speech loop recordings. On Royals, like on his previous discs--Her Name (Crouton, 2007) and Exposé (Die Schachtel, 2007)--he orchestrates the tone, pitch and cadence of a speaker, talking or reading text. Much like pianist Jason Moran ...

173

Article: Album Review

Mark O'Leary / Peter Friis-Nielsen / Stefan Pasborg: Stoj

Read "Stoj" reviewed by Mark Corroto


In the aptly named Guerilla Series, for Ayler Records, this trio does, indeed, fight a “little war," recording this limited release (400 copies) as a hit-and-run ambush of destruction and noise. Støj is quite surprising for O'Leary, whose previous outings found him detailing more muted sounds with the likes of Supersilent on St. ...

148

Article: Album Review

The Resonance Ensemble: Kafka in Flight

Read "Kafka in Flight" reviewed by Mark Corroto


Until the formation of The Resonance Ensemble in 2007, Ken Vandermark's writing for large ensembles had been limited to his electro-acoustic Territory Band and Peter Brötzmann's sprawling free jazz Chicago Tentet. With this 10-man group, he succeeds in what he works so very hard at with the Vandermark 5. Like V5, his working band, he is ...

150

Article: Album Review

Bobby Selvaggio: Grass Roots Movement

Read "Grass Roots Movement" reviewed by Mark Corroto


Bobby Selvaggio's Grass Roots Movement, marks his sixth release as leader and second outing for Arabesque Records. This quintet record follows his 2009 disc Modern Times, recorded with veteran pianist Kenny Werner. Here, the saxophonist employs some new names, an electric groove, but no worries, the musicianship retains the highest standards. Here he switches ...

181

Article: Album Review

Sonic Liberation Front: Meets Sunny Murray

Read "Meets Sunny Murray" reviewed by Mark Corroto


Sonic Liberation Front--the inheritors of both Sun Ra and the Art Ensemble of Chicago's traditions--teams up with jazz legend, drummer Sunny Murray, to create both a studio and live recording. The music continues SLF's dedicated effort to mine the percussive traditions of Afro-Cuban, Yoruba/West Africa, and American-fostered free jazz. The percussion-heavy band's previous release, ...

248

Article: Album Review

Joseph Lepore: Journal

Read "Journal" reviewed by Mark Corroto


Written, arranged, and produced by bassist Joseph Lepore, Journal is one solid and reliable recording with a consistent and upright sound. As a leader, he joins his bass with tenor saxophonist Lance Murphy, vibraphonist Tim Collins, and rock-solid drummer Nasheet Waits. Lepore, born in New York, grew up in Italy, absorbing the jazz scene ...

224

Article: Album Review

Peter Brötzmann: Wolk In Hosen

Read "Wolk In Hosen" reviewed by Mark Corroto


In a blindfold test--and not knowing he was but 11 years old when this solo session was recorded in 1976--the sound heard on Wolk In Hosen might be mistaken for that of Swedish saxophonist Mats Gustafsson. But no, it is, indeed, Gustafsson's hero and musical role model, the fire-breathing Peter Brötzmann. Also released as ...


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