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Article: Album Review

Stirrup: Sewn

Read "Sewn" reviewed by Mark Corroto


It's apparent why Ken Vandermark invited cellist Fred Lonberg-Holm to join the now defunct Vandermark 5 a decade ago. His versatility allows him to play a full spectrum of music from chamber jazz to stadium rock. One minute he's Pablo Casals, the next Jimi Hendrix. His adventures have taken him from Peter Brotzmann's Tentet ...

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Article: We Travel the Spaceways

Jazz: A Blessed Obsession

Read "Jazz: A Blessed Obsession" reviewed by Mark Corroto


Jazz listeners travel some strange and beautiful paths. It might have all begun with collectors trying to find a legendary Edison cylinder that New Orleans trumpeter Buddy Bolden--some believe to be the very first jazz musician--may (or may not) have recorded in 1904. Fast forward to modern times, a quick scan of eBay and the exorbitant ...

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Article: Album Review

Lucien Dubuis Trio: Future Rock

Read "Future Rock" reviewed by Mark Corroto


The entire debate that bids one to take sides regarding art being either made by conservatory trained artistes or original primitives is quite the red herring. Sure, punk rock favored emotion over skill, but nobody would argue against Television guitarist Tom Verlaine's talent or the folk music of guitarist Bill Frisell. If you can play and ...

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Article: Album Review

Billy Martin's Wicked Knee: Heels Over Head

Read "Heels Over Head" reviewed by Mark Corroto


What if drummer Billy Martin of the late-20th, now 21st-century band Medeski Martin and Wood had been born at the end of the 19th century in New Orleans? What kind of music would he play? Certainly, it would have a brass band setting and be inflected with blues feel. Invite Buddy Bolden over tonight, because we ...

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Article: Album Review

Antonio Sanchez: New Life

Read "New Life" reviewed by Mark Corroto


You may have attended a concert by vibraphonist Gary Burton or guitarist Pat Metheny and, like many others found yourself unable to keep from focusing your attention on the drummer, Antonio Sanchez. His presence, exudes a sort of rhythmic magnetism that has backed players such as Chick Corea, Miguel Zenon, and Metheny for the past 13 ...

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Article: Album Review

Bobby Selvaggio: Way Of Being

Read "Way Of Being" reviewed by Mark Corroto


Bobby Selvaggio's Way Of Being epitomizes a restless sound, one that belies the alto saxophonist's unflappable nature. His latest release builds upon the groove-heavy folk/pop/funk sound of Grass Roots Movement (Arabesque, 2011).This disc, his seventh as a leader, is split evenly between the electric Grass Roots Movement quartet and an acoustic Shake Trio. Both ...

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Article: Album Review

Eric Hofbauer: American Grace

Read "American Grace" reviewed by Mark Corroto


Origami or balloon animals, it is always interesting what a solo artist can do with his bare hands. Same for a gifted guitarist like Eric Hofbauer, whose American Grace completes a trilogy of solo recordings that began with American Vanity (Creative Nation, 2004), and was followed by American Fear! (Creative Nation, 2010). In these three outing, ...

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Article: Album Review

David Weiss & Point Of Departure: Venture Inward

Read "Venture Inward" reviewed by Mark Corroto


If music can be described as either masculine or feminine, then recordings by trumpeter David Weiss and his Point of Departure quintet are simply testosteronic. Built upon the legacy of trumpeter Miles Davis' second great quintet and saxophonist Billy Harper's Black Saint inheritance, Weiss presents dexterous arrangements of muscular, second wave hard bop music.This ...

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Article: Album Review

Luis Muñoz: Luz

Read "Luz" reviewed by Mark Corroto


Lessons in light--or, in Spanish, luz--lush arrangements need not be dense, as proven in Costa Rican-born Californian Luis Muñoz's compositions, orchestrations and arrangements on Luz, his sixth release for the Pelin label following the widely acclaimed Invisible (Pelin, 2010) and Of Soul And Shadow (Pelin, 2008).While his roots go back to Central America, this ...

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Article: Album Review

Peter Brotzmann: Solo At Dobialab

Read "Solo At Dobialab" reviewed by Mark Corroto


Never at a loss for words (or, in his case, notes), saxophonist Peter Brötzmann is, nonetheless, one to speak only when necessary. Meaning, he chooses his sounds carefully. On first blush this fire-breathing legend, who brought forth such monumental free jazz discs as Machine Gun (FMP, 1968), the 1970 session Fuck de Boere: Dedicated ...


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