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Chicago Jazz Festival 2013
by Mark Corroto
Chicago Jazz FestivalChicago, ILAugust 29-September 1, 2013Chicago is...You get the feeling it is a jazz city when, waiting in line at the airport, you overhear a conversation about Anthony Braxton's first meeting with Derek Bailey. Then, your suspicions are confirmed in the taxi, on the drive to the 2013 Chicago Jazz ...
Jonathan Moritz Trio: Secret Tempo
by Mark Corroto
Great chefs can make a delicious meal out of just a handful of ingredients. So can great musicians. A simple omelet prepared from happy free range chicken eggs, plus some freshly plucked basil can set the palate reeling. For a jazz chef like saxophonist Jonathan Moritz, his simple fresh ingredients includes a trim ensemble of bassist ...
Matt Mitchell: Fiction
by Mark Corroto
Pianist Matt Mitchell's debut solo recording, Fiction, is actually a duo recording. And while it is a performance of fifteen compositions, the music was originally conceived of as etudes, or short pieces--exercises to improve the pianist's ability to incorporate improvisation into composed music.Mitchell is quite the in-demand sideman. He can be heard in Tim ...
Various Brits: Just Not Cricket!
by Mark Corroto
In the 1972 Monty Python Flying Circus skit “Are You Embarrassed," the announcer reads the lines, “Are you embarrassed easily? I am. But it's nothing to worry about; it's all part of growing up and being British." The announcer goes on to describe embarrassing words like “Shoe" ..... “Megaphone" ..... “Grunties," to test the listener's discomfort ...
Sven Ake Johansson: Jazzbox
by Mark Corroto
Funny how listening to the five-CD Jazzbox by free jazz drummer Sven-Åke Johansson may remind you of the British punk rock band The Clash's first hit single “Train In Vain" (1980). Like Joe Strummer and Mick Jones, Johansson's career has been one that has worked to challenge the language of American music. In The Clash's case, ...
Peter Brotzmann / Steve Noble: I Am Here Where Are You
by Mark Corroto
The greatest artists in history have never been able to capture the immensity of the American sequoia trees. Like the Grand Canyon, their gargantuan size cannot successfully be reduced to canvas by painters like Albert Bierstadt or Thomas Hill, nor captured on gelatin silver prints by photographers like Ansel Adams. Seeing is, indeed, believing. Just like ...
Alan Ferber: March Sublime
by Mark Corroto
When you open a nice bottle of red wine, to get the best results, it is better to set the bottle aside for some time. You let the wine, as they say, “breathe," allowing oxygen to bring out the hidden flavors. Same for a big band recording like Alan Ferber's March Sublime. Instead of setting the ...
Nate Wooley Sextet: (Sit In) The Throne Of Friendship
by Mark Corroto
Like today's NFL quarterbacks, trumpeters are required to be multidimensional. Modern players (in football) are required to pass, run, block and call audibles. Likewise, the jazz horn player can't just take a high glissando solo, bow, and collect a paycheck; he/she has to be able to shift between the jazz tradition, improvisation, classical music and outside ...
Thelonious Monk: Newport '59
by Mark Corroto
Only with hindsight can it be ascertained that 1959 marked the pinnacle of jazz music as a cultural force in the United States. In 1959, the Mount Rushmore presidents of jazz were recording their definitive statements: John Coltrane's Giant Steps (Atlantic, 1960), Dave Brubeck's Time Out (Columbia, 1959), Charles Mingus' Ah Um (Columbia, 1959), Miles Davis' ...
Rob Mosher: Polebridge
by Mark Corroto
Soundtrack music can complement a piece of cinema by adding suspense, describe the onscreen action or, in the case of a silent movie, provide the sounds of pratfalls and doorbells. The first spin of Rob Mosher's Polebridge could easily recall the soundtrack to a Buster Keaton silent film. The liner notes explain that the music is ...
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