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Marion Brown: Why Not?
by AAJ Italy Staff
Per una singolare fatalità, di quelle che squarciano il velo dei pensieri, mi è capitato di leggere la notizia della scomparsa di Marion Brown mentre mi accingevo a scrivere della prima ristampa ufficiale di Why Not?, il secondo dei due Esp a nome del sassofonista di Atlanta. Lui, che in punta di piedi ha attraversato la ...
Marion Brown, Jazz Saxophonist, Dies at 79
Marion Brown, a saxophonist whose lyrical, low-key style made him a distinctive presence in the high-energy jazz avant-garde of the 1960s and '70s, died Monday in Fort Lauderdale, Fla. He was 79. His death, in a hospice, was confirmed by his son, Djinji. Mr. Brown had been treated for a variety of illnesses in recent years ...
Marion Brown
Alto saxophonist Marion Brown, who came to prominence in the 1960s and '70s, died yesterday at age 79. He had been in an assisted living home in Hollywood, Florida, since 2005. Although some references list his birth year as 1935, he was born on September 8, 1931, in Atlanta, Georgia. Brown's career got a boost when ...
Marion Brown (September 8, 1931-October 10, 2010) - Pieces of a Conversation
Today I (and many in the jazz community) learned the news that alto saxophonist and improvising composer Marion Brown died a little over a week ago. He had been dealing with health issues for over a decade, and was in an assisted living situation in Hollywood, Florida. He was an early favorite of mine—a sweet ebullience ...
Mike Pride’s From Bacteria to Boys: Betweenwhile
by Nic Jones
Drummer Mike Pride is nothing if not busy, as a list of past collaborators including Milford Graves, George Lewis and Mary Halvorson shows. Such collaborations inevitably testify to his range, as does Betweenwhile, the second release by his working quartet. The trouble might be, however, that this very range dilutes the group's identity. ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Drummer Muhammed Ali Interviewed at AAJ
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Muhammad Ali: From a Family of Percussionists
by Clifford Allen
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Life After Rashied: Live at the Woodstock Playhouse 1965; Why Not?; Eddie Jefferson at Ali's Alley; Configurations--The Music of John Coltrane; Mystic Journey
by Gordon Marshall
Burton GreeneLive at the Woodstock Playhouse 1965Porter2010 Marion BrownWhy Not?ESP2009 Rashied Ali QuintetFeaturing Eddie Jefferson at Ali's AlleyBlue Music Group2010 Rashied Ali with Prima ...
Marion Brown: Why Not?
by Jerry D'Souza
Alto saxophonist Marion Brown came off playing with John Coltrane on Ascension (Impulse!, 1965) when he recorded two albums for ESP Disk. On the first, his eponymous 1966 release, the music was fiery and free-wheeling, underscoring Brown's presence as a potent improviser. His second, Why Not?, saw him take a more altruistic approach. He moved away ...
