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Trio
Label: ECM Records
Released: 2005
Track listing: 1. Trio Coversation (introduction);
2. Hyperballad;
3. Roxana's Song;
4. K.T.C.;
5. Plaza Real;
6. Shine;
7. Green Sky;
8. Sister's Song;
9. Drum Kick;
10. Free-bop;
11. Free Combinations for Three Instruments;
12. Entropy;
13. Trio Coversation (the end).
Wasilewski/Kurkiewicz/Miskiewicz: Trio
by Ollie Bivens
European jazz musicians tend to have an affinity for jazz that is free and very melodic. The pianist, bassist, and drummer from Tomasz Stanko's working quartet debut with Trio, consisting of five free improvisations and eight composed tunes, walking the line between free and mainstream jazz. It's perfect for listening when one is in a contemplative ...
Wasilewski/Kurkiewicz/Miskiewicz: Trio
by Glenn Astarita
This Polish piano trio has been backing the country's best-known jazz trumpeter, ECM Records solo artist Tomasz Stanko. With this release, the musicians get their day in the sun, so to speak. Falling in suit with the label's somewhat ethereal aesthetic--particularly when considering similar European piano trios--this band fuses melodic charm with probing structures and colorific ...
Marcin Wasilewski, Slawomir Kurkiewicz, Michal Miskiewicz: Trio
by Brian P. Lonergan
Trio is shorthand for pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz, and drummer Michal Miskiewicz, the talented Polish rhythm section that has backed trumpeter Tomasz Stanko on his last two ECM albums. This is the group's first domestic release sans Stanko, but the trio sustains intriguing atmospheres throughout. It's tempting to invoke another longstanding ECM ...
Marcin Wasilewski: From Simple Acoustic Trio to Tomasz Stańko
by John Kelman
While there seems to be an unprecedented number of young jazz musicians releasing recordings under their own names these days, one of the long-held foundations of the jazz tradition seems to be taking a back seat; specifically, the nurturing of young talent through the tutelage of older, more established musicians seems to be turning into a ...
