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Results for "Lyle Mays"
Ulf Wakenius: Vagabond
by Ian Patterson
Swedish guitarist Ulf Wakenius is perhaps best known for his ten year stint in pianist Oscar Peterson's trio, following in the footsteps of guitarists Barney Kessel, Herb Ellis and Joe Pass. Wakenius clocked up enough road miles with Peterson to have traveled to the moon and back, and he also toured extensively and recorded with bassists ...
Gregoire Maret: Gregoire Maret
by Doug Collette
Gregoire Maret's first album under his own name is both more and less than a Music lover following the harmonicist's career might expect. After years of collaborating with the likes of guitarists Pat Metheny and Charlie Hunter, and vocalist Cassandra Wilson, Maret (mostly) wisely but ambitiously places his instrument in a variety of settings that highlight ...
Hristo Vitchev / Weber Iago: Heartmony
by Mark F. Turner
The meeting between two artists can represent an exchange of ideas and disciplines, as well as a sense of fellowship. Both are evinced in Heartmony, the second duo release from guitarist Hristo Vitchev and pianist Weber Iago; a collaborative follow up to 2009's The Secrets of an Angel on Vitchev's First Orbit Sounds label.
John Law / Mark Pringle: This is
by Jakob Baekgaard
Traditionally, the art of the piano duo has been linked to classical music, and almost every significant classical composer, from Mozart to Maurice Ravel, has written music for two pianos. In jazz, however, this particular medium is somewhat rare, and although Bill Evans recorded Further Conversations with Myself (PolyGram, 1967), where he overdubbed himself on piano, ...
Brian Hughes: Fast Train To A Quiet Place
by Jeff Winbush
Guitarist Brian Hughes might not consider comparisons between Fast Train To A Quiet Place and early Pat Metheny Group albums all that flattering, but he should. When Metheny was stretching the boundaries of jazz guitar with his recordings for the ECM label, he took the instrument places it had never been before. Metheny has moved on ...
Quentin Moore: Portrait of the Artist as a Young Man
by Chris M. Slawecki
Much has been recently written about the “graying" of jazz and the audience who listens to it, young musicians seem to continually discover (and rediscover) its enduring value--and not just the value of jazz as its own standalone genre, but the benefit of incorporating aspects of jazz, such as improvisation and arrangement, into music of every ...
Kurt Elling: The Gate
by John Kelman
Kurt Elling The Gate Concord Music Group 2011 It's amazing how small age differences can impact on the music that resonates in our youth--experiencing it after the fact being so different than living in its time. For 43 year-old vocalist Kurt Elling, the music that reached his young, impressionable ...
Marius Neset Golden Xplosion: Golden Xplosion
by Ian Patterson
Norwegian tenor saxophonist Marius Neset burst onto the jazz scene with JazzKamikaze while still a teenager, its debut--Mission 1 (Stunt, 2006)--revealing a saxophonist of remarkable maturity and imagination. He shook the life out of simple musical ideas, and in that respect his playing was reminiscent, even then, of the great tenor explorer Sonny Rollins. Traveling at ...
Ottawa Jazz Festival, Days 4-6: June 26-28, 2011
by John Kelman
Days 1-3 | Days 4-6 T D Ottawa International Jazz Festival Ottawa, Canada June 23-July 3, 2011 Well, the numbers are in, and the opening weekend of the 2011 TD Ottawa International Jazz Festival has broken all previous records, despite a day of heavy rain severely impacting attendance for ...
Mike Moreno: First In Mind
by A. Lienhard
First In Mind, Mike Moreno's sophomore effort for the Criss Cross label, finds the 31 year-old guitarist interpreting songs both old and new. He explores selections from his former band mate Joshua Redman and one by upcoming singer/songwriter Josh Mease; Milton Nascimento and Miles Davis receive attention, too. It's an eclectic mix, but one wrangled into ...
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