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125

Article: Interview

Amir ElSaffar: At Two Rivers' Confluence

by Daniel Lehner
February 21, 2012

There was a point during Amir ElSaffar's study of Arabic music where he almost didn't come back to jazz. He had gone to Iraq to study maqam, the system of melodic modes in traditional Arabic music, in order to bring some of the concepts into jazz. However, the experience proved to be a deepening one for ...

News: Radio

Romance and the Silver Screen This Week on Riverwalk Jazz

February 9, 2012

This week, Riverwalk Jazz presents a Valentine's Day concert of classic love songs side by side with soundtrack clips of love scenes from the films that made them popular hits. The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website. The ...

151

Article: Interview

Kenny Burrell: Every Note Swings

by Chris M. Slawecki
February 6, 2012

Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...

Article: Take Five With...

Take Five With Walter Ehresman

by AAJ Staff
February 5, 2012

Meet Walter Ehresman: Called “The quintessential Austin DIY artist" by famed disc jockey Charlie Martin (host of KOOP radio's Around the Town Sounds), Walter Ehresman has been a consistent, eccentric presence in the Austin music scene since the mid-'80s. A prolific songwriter and recording artist, he is equally at home presenting a delicate acoustic ...

107

Article: Take Five With...

Take Five With Joseph Patrick Moore

by AAJ Staff
February 4, 2012

Meet Joseph Patrick Moore: For more than a decade Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist; composer; arranger; producer; author; educator and founding partner of Blue Canoe Digital illustrate why he is a highly sought ...

161

Article: Interview

Terell Stafford: Trial and Inspiration

by Andrew J. Sammut
January 30, 2012

Terell Stafford is as likely to credit his influences as he is to impress his listeners. Coming to jazz comparatively later than many players, and even with his busy schedule as a sideman, leader and educator, he remains devoted to exploring the music's roots, while expressing a relentless desire to learn more. Stafford first ...

News: Radio

Catherine Russell, Dick Hyman This Week on Riverwalk Jazz

January 26, 2012

This week on Riverwalk Jazz, Catherine Russell joins The Jim Cullum Jazz Band with frequent guest artist Dick Hyman on piano, at the historic Pearl Stable in San Antonio. They present a selection of songs from Catherine's recent CDs. Catherine talks about her beginnings as the daughter of a pioneering woman of jazz, to what she ...

149

Article: Interview

Chris McNulty: A Siren From Down Under

by Ludwig vanTrikt
January 24, 2012

Chris McNulty emigrated to New York City, from her native home in Melbourne, Australia, in 1988. Since then she's released five recordings, with Waltz For Debby (Discovery, 1991) first introducing the Australian singer to American audiences. On that record, she wrote what would ultimately become the official, published lyrics to Miles Davis' classic “Blue in Green." ...

176

Article: Interview

Enrico Rava: To Be Free or Not To Be Free

by Ian Patterson
January 16, 2012

Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

Article: Big Band Report

SuperSax Me

by Jack Bowers
January 13, 2012

Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...