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Never-Before Released Music From Louis Armstrong - Exclusively On Dot Time "Legends" Series
Dot Time Records is proud to announce its licensing agreement with the Louis Armstrong Educational Foundation, Inc. This newly established agreement will include four previously unreleased productions from the archives of Queen's College, which houses the Louis Armstrong collection. The releases will be part of the Dot Time Records “Legends" series. Jerry Roche, who heads the ...
Jazz Education: The Next Generation, Part 2
by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz
by Victor L. Schermer
"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...
Lee Morgan: The Sidewinder – 1964
by Marc Davis
What's left to say about Lee Morgan's most popular album, The Sidewinder? How about this: It is one FUN record. That's capital F, capital U, capital N. Anything wrong with that? Sometimes it feels like all the fun has gone out of jazz. As if nothing can be Good unless it is ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
As Dizzy's World Turns
by Michael Bourne
Master raconteur, award winning jazz broadcaster and Downbeat contributor, Michael Bourne recounts a series of remarkable stories about Dizzy Gillespie based on experiences that stretch over a couple of decades. Embodying Bobop I happened to be at home in St. Louis when Dizzy Gillespie was playing at this new jazz joint near ...
The Musical Jordan Family Featured At Swearing In Of Congressman Richmond As Chair Of CBC; Watch Live Stream
New Orleans’ musical Jordan family, represented by Stephanie Jordan, Rachel Jordan and Marlon Jordan have been invited by Congressman Cedric Richmond, D-LA to be the featured musical guests at the swearing in of the Congressional Black Caucus (CBC) of the 115th Congress. This past November, Representative Richmond was elected Chair of the Congressional Black Caucus and ...
Jari Haapalainen Trio: Fusion Machine
by Mark Corroto
Short sharp shocks, describes the music of Fusion Machine. The twenty-eight minutes of sound is Jari Haapalainen's knuckle sandwich of a recording. Actually it's thirteen jabs, hooks, and uppercuts; let's call them the track list. The disc contains no composition longer than two minutes-fifty, the shortest, “Flykten Från Djursholm" (Escape From Djursholm), is just 1:34.
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
