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Sonny Clark Trio: The 1960 Sessions with George Duvivier and Max Roach
by Jakob Baekgaard
Jazz history tends to favor the great musical innovators whose stylistic leaps have formed the ever-changing vocabulary of jazz: the improvisational wonder of Louis Armstrong, the free flight of Charlie Parker, the chameleon-like transformations of Miles Davis, and the singular piano world of Thelonious Monk. For long a time, Monk, along with Bud Powell, has been ...
October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...
Wouter Turkenburg: Jazz Education in the New Millennium
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 All About Jazz and Wouter Turkenburg would like to dedicate this interview to the memory of saxophonist Michael Brecker (1949-2007). In addition to his prodigious accomplishments as an instrumentalist and band leader, Brecker was an exceptional worldwide ...
Meet Tom Wells
by Tessa Souter and Andrea Wolper
Born and raised in that other “capital of jazz"--Kansas City, birthplace of Charlie Parker--Super Fan Tom Wells, along with long-time jazz date, his wife, Geri St. Clair (a future Super Fan--stay tuned!), is a huge supporter of the local scene. How huge? Well, Tom and Geri once followed the University of Missouri Kansas City's Jazz Orchestra ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
The Hot 8 Brass Band: On the Spot
by Chris M. Slawecki
On the Spot celebrates the fifth album and twenty year history of The Hot 8 Brass Band, the first American band signed by UK-based Tru-Thoughts Records. Like their New Orleans hometown, The Hot 8 knows tragedy, from Hurricane Katrina to the separate deaths of five bandmates, yet triumphantly and fiercely embody the Dionysian energy and gospel ...
Groovin’ Hard In Every Style
by Chris M. Slawecki
Big Mean Sound Machine Runnin' for the Ghost Peace & Rhythm | Blank Slate Records 2017 On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the ...
Preserving the Cradle of Jazz: The New Orleans Jazz Museum
by Karl Ackermann
The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...
Jazz Musician of the Day: Louis Armstrong
All About Jazz is celebrating Louis Armstrong's birthday today! By virtue of the role he played in its evolution during the first quarter of the 20th century, Louis Armstrong is regarded as the most influential jazz musician in history. This distinction is coupled with his stewardship of jazz around the world over the next five decades ...
Wild Bill Davison: The Danish Sessions
by Chris Mosey
Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...
