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Art Pepper: Presents “West Coast Sessions” Volumes 1 & 2
by C. Michael Bailey
Alto saxophonist Art Pepper's comeback began the release of Living Legend (Contemporary, 1975). His previous 20 years had been fully devoted to heroin and prison, and their inevitable aftermath. Following the release of Living Legend, Pepper toured Japan in April 1977 and March 1978. Pepper found his most dedicated and enthusiastic crowd in Japan, recording a ...
Stan Getz
by Mark Barnett
The story of Stan Getz (1927-1991) has to begin with Lester Young. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new ...
Lou Levy: Jazz in Four Colors
In November 1955, RCA began ramping up production of 12-inch jazz and pop LPs. Earlier in the decade, RCA had stuck steadfastly to the 45—a format it invented and unveiled in 1949 as a response to Columbia's LP. In addition to releasing 10-inch LPs, RCA issued box sets of 45s in an effort to keep a ...
Who Was Jane Fielding?
Back in 2012, I posted on Jane Fielding, a husky-voiced vocalist who recorded just two albums—Introducing Jane Fielding (1955) and Embers Glow (1956)—along with two songs performed on Bobby Troup's Stars of Jazz in 1957. Then she disappeared. At the end of the post, I originally asked Ms. Fielding to reach out to me. In February ...
Top Ten Jazz Songs of My Childhood
by Richard J Salvucci
For some reason, listening to the Great American Songbook was a big part of my Italian immigrant-boomer generation's experience. We learned the values, the rules, the moves and the customs of the folks we wanted to be like. And added a couple of distinctive touches of our own. We liked big bands too. But it wasn't ...
L.A. Six: Frame of Mind
by Jack Bowers
Once upon a time ('way back in the 1970s-80s) there was the peerless L.A. Four (Bud Shank, Laurindo Almeida, Ray Brown, Shelly Manne) and now we have the L.A. Six, another hard-swinging post-bop ensemble that has chosen to walk in some rather large shoes by recording a splendid debut album, Frame of Mind. With Tom Peterson ...
Jamming For Dollars
by Bruce Klauber
The History, Care, Feeding and Booking of the Jazz Jam Session“Fusion and the new stuff? It doesn't offend me, but a lot of the soloists sort of sound alike, like they all learned the same licks from the same school. When I was coming up in the 1940s, it seemed that every corner bar had a ...
Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band
by Jack Bowers
Skelton Skinner Allstars Big BandCookin' with the Lid OnDiving Duck Records2012 Back in the late 1950s, vibraphonist Terry Gibbs (with some help from his friends) put together an ensemble that became known as the Terry Gibbs Dream Band, took up residence in Hollywood and began blowing audiences ...
SuperSax Me
by Jack Bowers
Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...
Shorty Rogers: Four Classic Albums
by David Rickert
Shorty RogersFour Classic AlbumsAvid Group 2011 Trumpeter Shorty Rogers was one of the few jazz musicians to embrace the big band sound long after the commercial appeal for the genre was over, and despite the lack of commercial viability, he produced a series of terrific albums in ...
