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10

Article: Album Review

Flash featuring Peter Banks: In Public - Udder Chaos / Live At Cowtown Ballroom

Read "In Public - Udder Chaos / Live At Cowtown Ballroom" reviewed by Glenn Astarita

by Glenn Astarita

Late guitarist Peter Banks turned quite a few heads as an exceptional guitarist when he burst onto the scene during the initial manifestation of the progressive rock outfit, Yes. But due to artistic differences he left the band in 1970, and subsequently formed Flash, which was a quartet that illustrated stylistic similarities to Yes. The band ...

20

Article: Extended Analysis

Steve Hackett: Genesis Revisited - Live at Hammersmith

Read "Steve Hackett: Genesis Revisited - Live at Hammersmith" reviewed by John Kelman

by John Kelman

With such a broad repertoire of classic progressive rock, it's a very good thing, indeed, that guitarist Steve Hackett--despite leaving the group on the cusp of far greater commercial success (but, alas, also compromising its progressive nature)--has kept the music of Peter Gabriel-era (and slightly beyond) Genesis alive since leaving the group in October, 1977. But ...

5

Article: Album Review

Mark Edwards: In Deep

Read "In Deep" reviewed by Bruce Lindsay

by Bruce Lindsay

Pianist and composer Mark Edwards has spent over 25 years in the music business, working with a wide range of musicians and bands including Chris Rea, Terry Callier, Nina Simone, Daryl Hall and Aztec Camera. In Deep is his debut recording for Grammy-nominated producer James McMillan's Quiet Money label--an album which mixes a couple of original ...

7

Article: Profile

Howard Riley: Live with Repertoire

Read "Howard Riley: Live with Repertoire" reviewed by Duncan Heining

by Duncan Heining

Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...

8

Article: Album Review

Norma Winstone: Edge of Time

Read "Edge of Time" reviewed by Roger Farbey

by Roger Farbey

This reissue features many of the most significant musicians in British jazz of the late 1960s and 70s. It also benefits from imaginative compositions and arrangements by John Taylor, John Warren, Neil Ardley, John Surman and Norma Winstone herself. The opening, title track written by Taylor and Winstone is a memorable exploration ...

16

Article: Year in Review

Bruce Lindsay's Best Releases Of 2013

Read "Bruce Lindsay's Best Releases Of 2013" reviewed by Bruce Lindsay

by Bruce Lindsay

As 2013 drew to a close the Jazz Police appeared to be resurgent, at least in the UK--busily condemning those foolish enough to make and/or enjoy popular music and entertainment rather than listen to the latest cutting-edge ensemble from somewhere or other. Thankfully, the musicians just got on with it. In at least ten cases, they ...

7

Article: Live Review

Wadada Leo Smith's Ten Freedom Summers at London Jazz Festival 2013

Read "Wadada Leo Smith's Ten Freedom Summers at London Jazz Festival 2013" reviewed by John Sharpe

by John Sharpe

Wadada Leo Smith's Ten Freedom Summers: London, England, November 21-23, 2013 Wadada Leo Smith Café Oto London November 21-23, 2013 As part of the London Jazz Festival, over three consecutive evenings, Dalston's Cafe Oto presented the European premiere of trumpeter Wadada Leo Smith's Ten Freedom Summers magnum opus. ...

9

Article: Album Review

Evan Parker/ Matthew Shipp: Rex, Wrecks & XXX

Read "Rex, Wrecks & XXX" reviewed by John Sharpe

by John Sharpe

Few barriers remain in jazz. Certainly not geographical or generational. Even genre does not present insurmountable obstacles. Were it needed, further confirmation arrives in the shape of a meeting between two distinctive stylists: American pianist Matthew Shipp and English saxophone iconoclast Evan Parker. Far from being their first encounter, the pair know each other well, having ...

5

Article: Album Review

Shamus Dark: Trouble In Paradise

Read "Trouble In Paradise" reviewed by Bruce Lindsay

by Bruce Lindsay

Trenchcoats, shades, snap-brim hats, open-necked shirts and loose black ties. Not forgetting the cigarettes and alcohol. Vocalist Shamus Dark has a strong line in film noir visuals to complement the selection of songbook classics that appears on Trouble In Paradise. It's not just the cover photos: the videos that he's created to accompany many of the ...

9

Article: Year in Review

John Sharpe's Best Releases of 2013

Read "John Sharpe's Best Releases of 2013" reviewed by John Sharpe

by John Sharpe

Here are twelve new releases which stood out from those I heard this year, in no special order. Mostly Other People Do The Killing Slippery Rock (Hot Cup Records) Leader and bassist Moppa Elliott's songwriting talents haven't deserted him: his charts, named after small Pennsylvania towns, are bursting at ...


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