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Gongzilla: Live
by Scott Andrews
Americans Bon Lozaga (guitar) and Hansford Rowe (bass) and Frenchman Benoit Moerlen (vibes, xylophone) formed the nucleus of the fusion band Gongzilla in the mid 1990s, and recorded the studio CDs Suffer and Thrive with guest guitarists Allan Holdsworth and David Torn. The 2001 Gongzilla release Live was recorded direct to 2-track at a festival in ...
Deanna Bogart: Live
by Charlie B. Dahan
Sometimes it takes a live recording for the public to finally fully appreciate a recording artist. Much like James Brown’s “Live at the Apollo” or Peter Frampton’s “Frampton Comes Alive,” the picture that is Baltimore Washington, D.C. stalwart, Deanna Bogart, comes through loud and clear on her self released live album. Vocalist/Pianist/Saxophonist Deanna Bogart has ...
Live
By Stan Kenton
Label: Hitchcock Media Records
Released: 2001
Track listing: CD 1 Stan Kenton "Hello"; Didn't We; A Little Minor Booze; Chiapas; What Are You Doing the Rest of Your Life; MacArthur Park; Malaga; Terry Talk; Tico Tico; Sodomy (from Hair) CD 2 Girl Talk; Stan Kenton Orchestra Introduction; Bogota; Intermission Riff; Love for Sale; Hank's Opener; Peanut Vendor; Artistry on Rhythm
Live
Label:
Released: 2001
Track listing: 1) 30 Octobre 1985 2) W! U! W 3) Arico-Afab 4) 13 5) Herbie Nichols (part 1) 6) Herbie Nichols (part 2) 7) Chambrette 8) Medley [Four in One][Round Midnight][Epistrophy][Trinkle Trinkle]
Francois Bourassa Trio + Andre Leroux: Live
by AAJ Staff
Let me preface any commentary about this record by first saying this; it's hard. Hard as nails. Excuse the reviewer for indulgence in hype but I will venture to say this is one of the most intense jazz records these ears have heard in some time. It's that hot. It all starts with the opening track ...
Stan Kenton Orchestra: Live
by Dave Nathan
Big bands may have started to disappear from the entertainment scene after War World II; but not Stan Kenton's. Unlike those other groups which hung in there like Ellington and Basie, Kenton virtually discarded playing for dance dates concentrating more and more on concerts. This allowed him to develop and play arrangements which became more complex ...
