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519

Article: Live Review

The Dave Brubeck Quartet & Gene Bertoncini at the Grove Park Inn

Read "The Dave Brubeck Quartet & Gene Bertoncini at the Grove Park Inn" reviewed by Ken Dryden

by Ken Dryden

The Grove Park Inn, a luxurious old resort hotel and spa in Asheville, North Carolina, hosts an annual “All That Jazz” weekend every winter. The final evening’s festivities began with a solo set by guitarist Gene Bertoncini, introduced by emcee Maddy Winer as the “Segovia of jazz.” In his remarks to the audience, Bertoncini admitted that ...

621

Article: Live Review

February-March 2003

Read "February-March 2003" reviewed by AAJ Staff

by AAJ Staff

In this column: Summer means festivals A heap of new albums taking out last year and starting the new SUMMER JAZZ The return of the Melbourne International Jazz Festival, joining the Fremantle festival and jazz events as pat of the Sydney cultural festival, means the jazz calendar is back to full strength again this ...

198

Article: Live Review

Allan Harris, Black Cowboy?

Read "Allan Harris, Black Cowboy?" reviewed by Daniel Kassell

by Daniel Kassell

“Did you know that 40% of all cowboys were Black!" Allan Harris told the Association of Performing Arts Presenters in the NY Hilton's Mercury Ballroom, January 12th, 2003 at a showcase sponsored by the Berkshire Artists Group. Primarily a Jazz Vocalist and Guitarist, Allan Harris was inspired to write “Cross That River - The Saga of ...

299

Article: Live Review

Slide Hampton and the World of Trombones

Read "Slide Hampton and the World of Trombones" reviewed by C. Andrew Hovan

by C. Andrew Hovan

Gartner Auditorium at the Cleveland Museum of Art Cleveland, Ohio December 14, 2002 For several years now, a number of Cleveland-based arts organizations ( Musical Arts Association, Cleveland Museum of Art, Northeast Ohio Jazz Society, and Tri-C JazzFest Cleveland ) have pulled together their efforts to present a yearly concert series ...

607

Article: Live Review

Cool Jazz in a Cool City: IAJE in Toronto 2003

Read "Cool Jazz in a Cool City: IAJE in Toronto 2003" reviewed by Ken Dryden

by Ken Dryden

Although a fellow jazz journalist expressed his sentiment about the first scheduling of IAJE outside of the U.S. by sarcastically stating “Toronto in January, ...wonderful," I was very much looking forward to my first trip to Canada. Since it sometimes is hard to sneak away very far from the conference for very long without missing too ...

139

Article: Live Review

Chasin' James Carter

Read "Chasin' James Carter" reviewed by R.J. DeLuke

by R.J. DeLuke

Think of Django Reinhardt and you probably think of delicate phrasing, swing, music that fits the 1930s, maybe even the gypsy's sweet couplings with violin legend Stephane Grappelli. There were moments of swing at The Egg, that exquisite hall in Albany, NY, on January 17, when sax firebrand James Carter blew into town with his Chasin' ...

490

Article: Live Review

IAJE Conference, Toronto 2003

Read "IAJE Conference, Toronto 2003" reviewed by David Adler

by David Adler

Like a swarm of bees, jazz people of all kinds converged on Toronto for this year's IAJE conference. My stopover flight from Columbus, Ohio was full of them. I peered across the aisle and there was Luis Perdomo, along with almost all the members of Marlon Simon's Nagual Spirits. I stood in the Customs line and ...

508

Article: Live Review

Crossing Borders: Reflections on the 30th Annual IAJE Conference

Read "Crossing Borders: Reflections on the 30th Annual IAJE Conference" reviewed by C. Andrew Hovan

by C. Andrew Hovan

For the first time in its history, the International Association for Jazz Education held its annual convention outside of U.S. borders. Toronto served as an especially hospitable host for four days straight of high-octane jazz tailor made for media types, broadcasters, musicians, students, and jazz educators. The sheer abundance of activity (workshops, panels, discussions, concerts) makes ...

497

Article: Live Review

The Bloom School of Jazz

Read "The Bloom School of Jazz" reviewed by Michael Jeffers

by Michael Jeffers

Imagine the scene: The room is dark, pitch black. Not a sound is heard. The players sit quietly, poised, ready to perform. No distractions, just the musicians and their instruments. Instructions are given. The music begins to fill the room . . . The scenario is actually a classroom setting, a course called “Black Out” where ...

207

Article: Live Review

Shades Of Harlem Delivers Harlem Mystique Onstage

Read "Shades Of Harlem Delivers Harlem Mystique Onstage" reviewed by Daniel Kassell

by Daniel Kassell

Producer Bob Blume (Drama Desk Awards) announced, “It's a hot Saturday night for a very special show". (at APAP-Association of Performing Arts Presenters Convention, January 11, 2003). “We took over Bridges here at the New York Hilton to showcase" SHADES OF HARLEM. “Special guests in the audience tonight: From Lew Leslie's Blackbirds of 1934 - Ludie ...


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