Results for "Little Walter"
Little Walter
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Little Walter could make his harp sound like a tenor sax; he was instrumental in defining the sound that is now known as Chicago blues harp. Singer, composer, bandleader and peerless harmonica virtuoso, Little Walters music in virtually all its significant details was forged in the crucible of the emerging and maturing postwar Chicago Blues. It was as a member of, and a vital contributor to the Muddy Waters band that Walter was given full rein to stretch his wings, and it is a tribute to Muddy's foresight and generosity of spirit that he early recognized Walter's great talent and allowed him every opportunity and encouragement to develop it. Little Walter, born Walter Marion Jacobs on May 1, 1930 in Marksville, Louisiana, taught himself harmonica age at the age of 8
John McLaughlin: Where The Muse Leads
by Mike Jacobs
John McLaughlin—Miles Davis protégé. Jazz/rock revolutionary. East-meets-West visionary. Acoustic, electric and electronic guitar maestro. Now elder statesman of jazz—what is there left to say? A lot it seems... As a septuagenarian who was facing debilitating hand issues—and possibly the end of his playing career—he was starting to say his farewells to touring ...
John Scofield As A Sideman: The Best Of…
by Ian Patterson
John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...
Cotton Pickin' Blues
by Martin McFie
Blues began with enslaved African peoples' work songs in the cotton fields of the Deep South of America. The Slave Narrative of Mr. Sam Polite, given at 93 years of age, chronicles that life. It was written on St. Helena, a cotton producing Sea Island in the Carolinas, where Mr. Polite was born into slavery. The ...
Various Artists: Confessin' The Blues
by Doug Collette
If it weren't so scrupulously annotated (at least up to a point) or attractively designed, this title might be flippantly described as “The Greatest Hits of the Blues." As is, it is the third in a roots revival series of sorts. Confessin' The Blues follows Chicago Plays the Stones (Raisin' Music, 2018), where a Windy city ...
Kim Wilson: Blues and Boogie Vol. 1
by Doug Collette
Spearheaded by this long-time linchpin of the Fabulous Thunderbirds, on Blues and Boogie Vol. 1, a group of musicians as versatile as they are empathetic tackles classics from Little Walter, Elmore James and others. Kim Wilson and the ensemble not only display innate knowledge of its roots, but that elusive joy derived from actively honoring same. ...
The Rolling Stones: Blue And Lonesome
by Doug Collette
Originally begun as an impromptu respite from the recording of new original material, the Rolling Stones' Blue and Lonesome quickly turned into a rediscovery of the group's blues roots. And along the way toward completing the three days of sessions, the iconic rockers rediscovered themselves as a band with as much purpose and passion.
Bonefish Johnny: Sings the Blues
by James Nadal
The blues comes in many shades and modes, and is ingrained into the character of those who follow its calling. South Florida may not come readily to mind when one thinks of the blues, but singer/guitarist Bonefish Johnny (John Stacey) has been playing his brand of sugarcane soul in the regions bars and juke-joints for over ...
Bob Margolin: My Road
by James Nadal
The term blues guitarist has been so abused and misused, that when the real player comes along, it sounds like a jaded cliché to utilize it. Bob Margolin is a blues guitarist. His tenure in the Muddy Waters band from 1973 to 1980 netted him that distinctive title, and My Road, is his story. On this ...
CocoRosie, Dastan Ensemble, Arto Lindsay, Chick Corea, Béla Fleck, John Hammond, G.Love & Trio 3
by Martin Longley
CocoRosie Webster Hall September 25, 2015 The Casady sisters are one of the quirkiest teamings in... what? Rock, folk, hip-hop, reggae, electronica, performance art? All of these, and more, are present in their wildly gambolling songs, discernible as trace elements, but none fully emerging as what could be deemed ...
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