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Luís Lopes Lisbon Berlin Trio: The Line
by Mark Corroto
Guitarist Luís Lopes posted the following quote on his Facebook page, “art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...
MoFrancesco Quintetto: Piedra Solar
by Chris Mosey
Time was when jazz flirtations with the Iberian Peninsula were limited to the gentle rattle of castanets followed by Rodrigo's “Concierto De Aranjuez" and a feeling you were doing something intellectual. No more. Francesco Valente cites as a major source of inspiration for this album--a homage to his adopted homeland--Portuguese author Jose Saramago's ...
MoFrancesco Quintetto: Piedra Solar
by Roger Farbey
The instantly engaging “Ala'Ad-Din" opens this 70 minute set, the second album by this talented Lisbon-based group. A bass and piano riff confidently introduces “Abraxas" with unison horns taking up the main theme, leader Francesco Valente's electric bass to the fore and Brazilian guest percussionist Marcos Suzano playing pandeiro to great effect. Aline Frazão's ...
Rodrigo Amado Motion Trio & Peter Evans: The Freedom Principle
by Alberto Bazzurro
Inciso anch'esso a Lisbona, però in studio, due soli giorni dopo (quindi il 18 marzo 2013) il Live in Lisbon recensito di recente, questo nuovo lavoro del trio plus del sassofonista portoghese, pur fondandosi sempre sull'improvvisazione senza rete, presenta tuttavia strutture più rigide (almeno questa è l'impressione che ci trasmette), compassate, formalmente tornite. ...
RED Trio and Mattias Ståhl: North And The Red Stream
by John Sharpe
On their fifth album, Swedish vibraphonist Mattias Ståhl joins the Portuguese Red Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU ...
Sei Miguel: Salvation Modes
by Glenn Astarita
Here, Portuguese trumpeter, composer Sei Miguel delves into his stockpile of older compositions that were seldom performed or recorded. And his customary, eccentric mode of operations is structured in an enticingly bizarre approach to jazz and jazz improvisation. On this release comprised of three extended tracks, the artist employs two quartets and a ten-piece ensemble as ...
Rodrigo Amado Motion Trio meetings with Peter Evans
by Eyal Hareuveni
Portuguese, Lisbon-based saxophonist (and photographer) Rodrigo Amado's main musical vehicle in recent years is the Motion Trio, a powerful, rhythmic unit that collaborated before with Chicagoan trombonist Jeb Bishop (The Flame Alphabet, Clean Feed, and Burning Live At Jazz Ao Centro, JACC, both released on 2012). Amado and this trio new collaborative endeavour unites these excellent ...
Rodrigo Amado's Motion Trio and Peter Evans
by John Sharpe
Ever since the 2009 debut of the Motion Trio, Portuguese saxophonist Rodrigo Amado has sought to broaden the options available through the addition of more fire power. On both Burning Live (Jazz Ao Centro, 2012) and The Flame Alphabet (Not Two, 2012), Chicago trombonist Jeb Bishop occupied that berth, his garrulous melodicism proving a winning match ...
Rodrigo Amado: Wire Quartet
by Eyal Hareuveni
The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...
Rodrigo Amado: Wire Quartet
by Glenn Astarita
Portuguese saxophonist Rodrigo Amado is an aggressive, improvisational dynamo who has amassed a hearty discography for Clean Feed Records and several other European record labels. His mode of delivery parallels a heavyweight boxer who jabs, dances, and executes vicious left hooks and uppercuts. Recorded in a Lisbon studio, his quartet opens the floodgates with blossoming theme ...
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